TABLE OF CONTENTS, THE TOKEN

This is the rough draft of a mega-table-of-contents for The Token,
with first and last lines of poems, and first phrase or sentence of prose.
Stripped of links to the images & of the html at beginning & end, the
table of contents makes a dandy .txt file which can be sorted in DOS.

Identification of authors is being worked on very slowly.  A number of
identifications come from American Literary Annuals & Gift Books,
by Ralph Thompson (1936; repr. N.p.:  Archon Books, 1967).  If you know who
probably wrote an unidentified piece, please write to me.

Engraved plates tended to be made from well-known paintings, which I'm also
in the process of identifying.  Toward that end, & because finding the
written texts from these annuals is a bit easier than finding the engravings,
I've added images.  The link ("smpl") is at the end of the line describing
the plate; the image will appear in a separate window.  The images are quick
digital snapshots intended to give information & are not reproduction quality.
They are, however, alarmingly large.  Again, if you can identify an unidentified
painting, please write to me.

My collection contains all 14 volumes.  The copies for 1829 and 1834 are
missing a leaf or two; & several plates scattered through the 14 volumes
are also missing.  As I find missing plates and/or pages, I'll include them
in the index.

Several works were reprinted by other publishers in later annuals.  As I
find these, the information is added to this file.  The Garland, for 1831
sometimes included the names of authors not included when the piece appeared
in The Token.  (It also reprinted some works from The Legendary, edited by
N. P. Willis, which Samuel Goodrich published in two volumes in 1828.)

The engravings -- expensive to produce -- were used in other publications.
As I find these, the information is listed here and at the appropriate
engraving.
-- The Outcast, by Samuel Goodrich (Boston:  Russell, Shattuck & Williams,
1836), included several engravings.
-- E. Sands (New York, NY) published an album with 20 engravings, 18 of which
were from the 1831, 1833, and 1835 volumes of the Token.  My copy has
several dated entries; the earliest is dated 1 July 1838.  Because it was a
gift to Susan Bliss by her sister, it's referred to on this page as the
"Bliss album."
-- The Youth's Keepsake (NY:  George A. Leavitt, 1869) reprinted
several engravings; according to Frederick W. Faxon's Literary Annuals and
Gift Books (reprinted Pinner, Middlesex:  Private Libraries Association,
1973), this is The American Juvenile Keepsake for 1834, ed. by Barbara
Hofland (New York:  C. Wells, 1834), with three fewer illustrations.

                      ==========

publication information for the copy used to compile the list
[for written text:] year    title [/p = poem] (author; "author of" or pen name [unsigned but identified]), page # [poem: first/ & last lines; prose: beginning of first sentence]
[for embellishments:] year    title in contents/ title on plate, if different (painter or designer/ on plate, if different; engraver/ on plate, if different), page, or facing page # [pertinent information]

                      ==========

The Token, for 1828.  Boston:  S. G. Goodrich, 1827.
[Several plates & pieces were reprinted in The Garland, for 1831.  (NY:  C. H. Peabody, 1830.]

1828    Twins, The (LeGuay; Thomas Kelly), frontispiece smpl
1828    mythological figure (Parmegiano?), title page smpl
1828    To ---- /p ([Samuel G. Goodrich]), 9 [There is a world of bluer skies/ While life remains, be that unbroken!]
1828    Canadian Legend, A, 10 [It is well known that the attempts of the English to obtain possession of the Canadas...] [author of "Extract from a Journal of an Excursion from Montreal to St. Andrews," The Legendary]
1828    Colonel Daniel Boone on the Banks of the Great Osage Lake, Kentucky (Thomas Cole; Thomas Kelly), 48 ["Daniel Boone Sitting at the Door of his Cabin on the Great Osage Lake, Kentucky," 1826] smpl [reprinted in The Garland]
1828    Solitary, The /p ([N. P. Willis]), 48 [Alone!  Alone!--How drear it is/ My spirit thirsts to hear?] [reprinted in The Garland as "Colonel Boone," by N. P. Willis]
1828    Hunter of the Hills, The /p, 50 [The hunter was a-weary; all the day/ To visit with sorrow my simple home."]
1828    Hindoo Mother, The /p ([N. P. Willis]), 52 [It was a gentle eve in Hindoostan/ "Mother!" God help thee!  Dost thou see him now?]
1828    Recluse of the Lake, The ([Lydia Maria Child]), 59 [In the immediate vicinity of Lake George, there was, a few years since, an humble dwelling...]
1828    Soldier's Widow, The (A. Scheffer; Cheney), 76 smpl [in contents of The Garland, but not in my copy]
1828    Soldier's Widow, The /p ([N. P. Willis]), 76 [Wo for my vine clad home!/ I will forget my sorrow in my pride!] [reprinted in The Garland as by N. P. Willis]
1828    Adventures of a Rain Drop, The ([Lydia Maria Child]), 78 [When I was first aware of existence, I found myself floating in the clouds...]
1828    Flora's Party /p ([Lydia H. Sigourney]), 83 [Lady Flora gave cards for a party at tea/ And with Zephyrus hasted to sleep until dawn.]
1828    Childhood (Casway; Vistus Balch), 88 smpl
1828    Childhood /p ([Samuel Griswold Goodrich]), 88 [When Winter takes its sullen flight,/ Sweet mountain rivulet, than thine.] [reprinted in The Garland as by S. Griswold Goodrich]
1828    * * * * ([N. P. Willis]), 90 [Somewhere out of the world, and in Vermont, my college chum was christened Job.]
1828    For a Lady's Album /p ([John Pierpont]), 100 [Oh, say not, wisest of all the kings/ The grace is false, and beauty vain.] [reprinted in The Garland]
1828    Lone Indian, The ([Lydia Maria Child]), 101 [Powontonamo was the son of a mighty chief.] [reprinted in The Garland as by author/ Hobomok]
1828    View on the Mohawk (F. Stewart; Vistus Balch), 108 smpl [reprinted in The Garland]
1828    Scenery on the Connecticut River (Alvan Fisher; George B. Ellis), 110 smpl
1828    Connecticut River /p ([Lydia H. Sigourney]), 110 [Fair River! not unknown to classic song;--/ With proud devotion for that father land.] [reprinted in The Garland as by Mrs. Sigourney]
1828    To an Aged Elm /p ([W. B. O. Peabody]), 113 ['Tis the last of the mighty! and nobly it towers/ Years of freshness, and verdure, and glory for thee.]
1828    Catskill ([Grenville Mellen]), 116 [It was a sultry morning in the dog days of the last memorable year...] [reprinted in The Garland]
1828    To Ellen /p ([Samuel G. Goodrich]), 126 [I met a lily in the vale,/ I get a slap upon my ears!]
1828    Fashionable Ball Dress, The /p, 127 [The lovely Laurania, just turn'd of eighteen,/ Nor once regret my charms were ne'er display'd."]
1828    Penitence (Correggio; Joseph Hoogland), 130 smpl
1828    Penitence /p ([Lydia H. Sigourney]), 131 [Ay, look to Heaven!--Earth may not lend/ Where pride and pomp have toil'd in vain.]
1828    Stranger's Grave, The /p, 131 [A pale weeping willow stands yonder alone,/ Her footsteps along the dark path to the tomb.]
1828    Bridal in the Early Settlements, A ([Sarah Josepha Hale], 133 [However we may boast of our advances in knowledge, and improvements in the arts,...] [reprinted in The Garland, as "Legend of the Notch," Sarah J. Hale]
1828    View of the White Mountains, exhibiting the late slide (Henry Cheever Pratt; Vistus Balch), 152 smpl
1828    Farewell /p ([Samuel G. Goodrich]), 155 [Why, when the sun withdraws his light,/ And say, a last farewell to thee!]
1828    Ellen, 156 [One of the great charms of English scenery consists in the numerous winding lanes,...]
1828    Shipwreck, The /p, 181 [The noble ship is sweeping o'er the waters like a bird,/ The infants wept a sister's fate--the mother saw her child.]
1828    Musings /p ([Isaac McLellan, jr]), 183 [How oft the summer gladness of the heart/ And soon our mourning brethren join with us in death.] [reprinted in The Garland as by J. M'Lellan]
1828    Hermitess, The ([Samuel G. Goodrich]), 154 [Such is the texture of human society, that the conduct of every individual operates...]
1828    To a Beautiful Young Lady /p, 211 [The zephyr o'er the rose that strays,/ My heaven within thy azure eyes.]
1828    To the Sentimental, 211 [I tell not my tale to a cold and careless world.] [reprinted in The Garland]
1828    Vision of the Alps, A /p ([Lydia H. Sigourney]), 217 [Italia's vales in verdure slept,/ And Hope's last, faint illusion died.]
1828    Twins, The ([Samuel Griswold Goodrich]), 223 [In the autumn of 1826, I had occasion to visit the town of N---,...] [reprinted in The Garland as by S. Griswold Goodrich]
1828    My Home and Thee /p ([Samuel G. Goodrich]), 227 [I love the landscape, and its heavenly hue,/ And back to home and thee, my bosom bring!]
1828    Thanksgiving /p ([Sophia L. Little]), 228 [It is thanksgiving morn--'t is cold and clear:/ Sheds gleams of purest joy o'er man's dark destiny.] [reprinted in The Garland as by Mrs. Little]
1828    Montpelier /p ([Lydia H. Sigourney]), 234 [How fair, beneath Virginian skies/ Which of a stranger made a friend.]
1828    Hidden Treasure, The, 236 [Great public excitement, of any kind, is generally followed by moral and intellectual waste...]
1828    Voice of the Soul, The /p ([Grenville Mellen]), 246 [Voice of the viewless Spirit! that has rung/ And breathes thy sentence in the voice of birds!]
1828    Putnam's Cave (Fisher [Alvan Fisher?]; Vistus Balch), 253 smpl
1828    Putnam's Cave /p, 253 [Thy shadows still are deep,/ Their place of resting trod.]
1828    Napoleon /p, 254 [Emperor! thine is a lonely throne,/ Shall perish from the scroll of fame.]
1828    Lines /p ([Lydia Maria Child]), 255 [Pillars are fallen at thy feet,/ Some Roman lingers there!]
1828    To the Signorina Garcia /p, 256 [Whose deep-breathed tones of warbled melody/ Gently enfolds his wings and droops his head to hear!]
1828    Swedish Miner, The ([Isaac McLellan, jr]), 257 [They 've borne him from his ghastly tomb/ I join thee soon.  Farewell."]
1828    Some Passages in the Life of an Old Maid, 259 [You have often asked me, my dear young friend, why, with fortune...] [reprinted in The Garland]
1828    On Hearing a Volume of Poetry Elegantly Read /p, 278 [The harp, whose music charms the plains/ And bear the music in his heart.]
1828    Waiting for the Harvesters (R. Restall; Charles Toppan), 279 smpl [in contents of The Garland, but not in my copy]
1828    Waiting for the Harvesters /p ([N. P. Willis]), 279 And there she sat in ripen'd loveliness,/ A mother and her gentle babes like these.] [reprinted in The Garland as by N. P. Willis]
1828    To a Lady, with a Withered Leaf /p ([W. G. Crosby]), 280 [What offering can the minstrel bring,/ And I will kneel and worship there!] [reprinted in The Garland as by W. G. Crosby]
1828    Beauty /p ([Lydia Maria Child]), 282 [On evening sky, or tinted flower,/ The power I love so passing well!]
1828    Dreams of the Fireside /p, 283 [On!  Sleep no vision hath more wild,/ The pictured glow of fireside dreams.]
1828    Isle of Shoals, The, 285 [In the Atlantic ocean, near the eastern coast of New Hampshire, is situated a cluster of islands, called the Isle of Shoals.]
1828    To the Evening Star /p ([Lydia H. Sigourney]), 297 [Pure Planet! to the darken'd west/ Where weary pilgrims rest.]
1828    New World, The /p, 298 [Were not thy mountains' deep foundations laid,/ Freedom and peace, Columbia, bless thy green domain!]
1828    Abbotsford /p, 300 [Dimly ye rise, fair towers,/ Thy shroud should be the leaves of the "Old Play."]
1828    Fair Pilgrim, The, 301 ["Ellen Moore, I love you, but I cannot go with you;" said the daughter of a noble house,...] [reprinted in The Garland]
1828    Mysterious Rival, The, 306 ["Upon my life, a fine display of beauty and fashion!" exclaimed Mr. Blandford to his companion,...]
1828    Winds of Spring, The /p, 320 [Comes there not gladness in the festal wind,/ Oh, fragrant wind of earth, why art thou lingering here?]
1828    Morning /p ([Daniel W. Whiting]), 321 [The sun's glad, laughing face hath risen/ To join the swelling jubilee!]
1828    Charles Gordon /p, 323 [Charles Gordon was my best and earliest friend./ With holy smiles--a spirit of delight.]
1828    Dissipation /p, 327 [Ye fluttering insects of a flowery soil,/ The dew of pleasure, from the plants of pain.]
1828    Anne Herbert, 328 [Anne Herbert was a gay, uncontrolled girl, taught to regard no will but her own.]
1828    Sail Upon the Merrimac, A /p, 343 [The hour was sunset--and the sky/ Frights some uneasy dream away.]
1828    Voyage of the Philosophers, The, 346 [The celebrated Hiram, king of Tyre, was not only a patron of the arts,...] [reprinted in The Garland]
1828    Moonlight Adventure, A, 349 [A few years ago, in the course of a pedestrian tour along the banks of the Hudson,...] [reprinted in The Garland]
1828    Legend of Mount Lamentation, The, 351 [In the goodly state of Connecticut, so small in territory, and withal so considerable in fame,...]
1828    To Miss C*** /p, 363 [Yes! favor's deceitful, and beauty is vain,/ But to blossom forever, in bowers above.]
1828    Death of the Year, The /p, 364 ['T is morning; we have seen a glorious sight,/ Thy fate is link'd to dark and dread eternity.]
1828    Token, The /p ([Sarah Josepha Hale]), 367 [Look to the east, when the morning is bright,/ The gift that reminds thee, my own love, of me.]

                      ==========

The Token, for 1829, ed. N. P. Willis.  Boston:  S. G. Goodrich, 1828. [copy missing pp. 285&286]
[Several plates & pieces were reprinted in The Garland, for 1831.  (NY:  C. H. Peabody, 1830.]

1829    Presentation plate (David Claypoole Johnston; David Claypoole Johnston) [missing in my copy]
1829    maiden with newly hatched cherub (Jean-Honore Fragonard; John Cheney), title page smpl [reprinted in The Garland, re-engraved so that she holds a basket of flowers]
1829    Gift, The (A. F. Chalon; George B. Ellis), 1 smpl [reprinted in The Garland]
1829    Gift, The /p, 1 [I come with a Gift.  'Tis a simple flower,/ A Token of love from me to thee.] [reprinted in The Garland]
1829    What is that, Mother? /p (Rev. G. W. Doane), 3 [What is that, mother?/ Swan-like and sweet, it may waft thee home!] [reprinted in The Garland]
1829    Connecticut Christmas Eve, A /p (Joseph H. Nichols), 5 [Slow twilight veils the landscape's robe of white,/ Hills of my fathers! this glad Christmas Eve.]
1829    Waterfall, The /p (H. Pickering, 9 [Beautiful Cascade! Nature piled/ As beautiful as once thou wert.]
1829    Bridal, The /p (Grenville Mellen), 12 [Young Beauty at tha altar!  Oh! kneel down/ The music of their vows!]
1829    Sister's Death, The /p (Louisa P. Hickman), 16 [Like the western sky at close of day,/ And ye in your sadness will still live on.]
1829    Grave of the Ocean Warrior, The /p ([John O. Sargent]; V. V. Ellis), 18 [Lit by the setting sun's red beams,/ And many a tear be shed.]
1829    Seaman's Widow, The (Jean-Auguste Franquelin; John Cheney), 21 smpl [listed in contents of The Garland, but not in my copy]
1829    Seaman's Widow, The (Grenville Mellen), 21 [In one of those beautiful indentures that mark the coast of Long Island,...] [reprinted in The Garland]
1829    Youthful Fancies /p (Louisa P. Hickman), 46 [Oh! youth's gay dreams are witching things,/ That fly on a chainless wing.] [reprinted in The Garland as by Louisa P. Smith]
1829    Surrender of Calais, The /p (Emma C. Embury), 47 [The king was in his tend,/ Philippa wins our hearts.'] [reprinted in The Garland]
1829    Academic Grove, The (H. W. Williams; Oliver Pelton), 51 smpl
1829    Academic Grove, The /p (Lydia Sigourney), 51 [Hail, hallowed Grove! where Attic genius, fired,/ And with fond tears restore the grove of Academe.] [reprinted in The Garland]
1829    Son of a Gentleman, The, 53 [It was a few years preceding that memorable era, when the 'mingling of the waters' took place,...]
1829    Air Voyage, The /p (Grenville Mellen), 72 [Ye have heard of spirits that sail the air,/ Of music that dies on its airy rout!]
1829    Musing Thoughts /p (Lydia Sigourney), 75 [I did not dream, and yet untiring thought/ The mighty warrior gnawed his chain, and died.]
1829    Death (H. Pickering), 78 [O Death! so long the cause of all our tears,/ Langour and sorrow then shall leave no trace.] [reprinted in The Garland]
1829    Cottage Legend (R. Westall; F. Andrews & Joseph Andrews), 79 smpl [reprinted in The Garland]
1829    Cottage Legend /p, 79 [Between yon distant hills that hide,/ That night the cottage maiden died.] [reprinted in The Garland]
1829    Retrospections, 82 [In giving you an account of circumstances that have filled my early life with painful incidents,...]
1829    Saturday Afternoon (Alvan Fisher?; George B. Ellis), [missing in my copy; sampled from The Garland] smpl [reprinted in The Garland]
1829    Saturday Afternoon (N. P. Willis), 97 [I love to look on a scene like this,/ To see the young so gay.] [reprinted in The Garland]
1829    Columbus before the University of Salamanca /p (Lydia Sigourney), 99 [St. Stephen's cloistered hall was proud/ The glorious, yet forlorn.]
1829    Seabird's Tale, The /p (Samuel G. Goodrich), 102 [Far, far o'er the wave is my island throne,/ And the seabird's song can alone reveal.] [reprinted in The Garland]
1829    Journey of Truth, The, /p 106 [Accursed be the hour I ventured to roam/ These tears of despair and wounded pride.]
1829    Reading the Fragment /p (Robert Morris), 109 ['T is June, Calanthe!--rosy, rosy June./ Oh! my Calanthe, what a fate was hers!]
1829    Portrait, A /p (N. P. Willis), 115 [She was not very beautiful, if it be beauty's test/ As if they had been used to track the universe with wings.]
1829    Confessions of a Belle /p ([Anna Kane]), 117 [My life had been half sunshine and half tears,/ And all can vouch my pretty turn for rhyming.]
1829    Ruins /p (H. Pickering), 122 [These rude remains of the poor peasant's cot,/ And Hope that sinks but with our latest breath.]
1829    Lay of a Mountain Spirit, The /p (J. A. Jones), 123 [I heard the Spirit of a Mountain/ Shall live and feel like one of us.']
1829    Love's First Visit /p, 127 [I come! I come! on the breath of spring,/ All hearts at the shrine of Love must bow.]
1829    Psyche before the Tribunal of Venus (Jean-Honore Fragonard?; John Cheney), 129 smpl [reprinted in The Garland, though not listed in its contents; signed]
1829    Psyche before the Tribunal of Venus /p (N. P. Willis), 129 [Lift up thine eyes, sweet Psyche!  What is she,/ Have had their deeper fountains broken up.]
1829    Mary's Lament /p (Emma C. Embury), 131 [Farewell, dear France! my sad heart's chosen home,/ And glory but illumes my sad heart's blighted waste.]
1829    Ma Petite Pupille, 133 [I well remember Ellen Delamore when a child.]
1829    Night in a Poet's Deserted Room, A /p (H. Pickering), 144 [Deep sleep fell on me with the shades of night;/ At once on me had placed, but vanished with a frown!]
1829    Glory /p (Stephen Congar), 145 [The hero had returned./ I envied him.]
1829    Chantry's Statue of Washington (; Oliver Pelton), 149 smpl
1829    Chantry's Statue of Washington /p (W. G. Crosby), 149 [Who hath not hoped for immortality?/ As the eye gazeth on--even Washington!]
1829    Ruse, The (N. P. Willis), 159 [Philip Blondel was universally allowed to be the best fellow in the class.]
1829    Pride of the Village, The /p (I. M'Lellan), 176 [This grassy hillock, with its rustic turn,/ 'After life's fitful fever he sleeps well.']
1829    Fly, Dermid, Fly! /p (J. A. Jones), 179 [She sang from her window, 'Fly, Dermid, fly!/ And Emma, the child of his foe, was his brid.]
1829    Italian Boulevard, The (J. Van Marcke; Thomas Kelly), 181 smpl [reprinted in The Garland]
1829    Italian Boulevard, The, 181 [There is no other place where human life wears such an aspect of gaiety, as in Paris.] [reprinted in The Garland]
1829    Dust, from the Spanish /p (J. A. Jones), 187 [Wake, love, awake!/ He has gone from the wave.]
1829    Drowned Alive, The (W. L. Stone), 189 [I have been dead, and am alive.]
1829    Dreams of Boyhood /p (Mrs. A. M. Wells), 198 [Yon moss-grown cot--I gaze on it,/ For what I lost when she went hence.] [reprinted in The Garland]
1829    Tri-Portrait, The /p (N. P. Willis), 201 ['T was a rich night in June.  The air was all/ A light as beautiful to lead you on.]
1829    Condor of the Andes, The /p (T. Fisher), 205 [Where Winter o'er the blazing zones,/ To know Ulloa's towers no more.]
1829    Abraham's Return /p (Rev. T. H. Gallaudet), 209 [The moon-beam shone serenely bright/ To Him who spared the sacrifice.]
1829    Bridal Morning, The /p (Lydia Sigourney), 213 [Tears on thy bridal morning!  Tears, my love!/ Smile, as 't was wont, in eloquent delight.]
1829    Prairie on Fire, The (Alvan Fisher; Edward Gallaudet), 215 smpl [reprinted in The Garland]
1829    Prairie on Fire, The (G.), 215 [Until within a short period, the few men who were distinguished in this country,...] [reprinted in The Garland]
1829    To the Fringilla Melodia /p (H. Pickering), 218 [Joy fills the vale,/ Thy glad return.]
1829    Otter-Bag, the Oneida Chief (John Neal), 221 [Of twentyeight Indian tribes that inhabited South Caroline, in 1670,...]
1829    Capture of Andre (James Stothard; William E. Tucker), 285 smpl
1829    Capture of Andre, The (J. W. Miller), 285 [page missing]
1829    Dream Fulfilled, The (Samuel G. Goodrich), 287 [What are dreams--illusions of fancy or suggestions of prophecy?...]
1829    To a Daughter of the Late Governor Clinton /p (J. B. Van Schaick), 293 [And thou, fair flower of hope!/ Their friendly shadows in protection there!] [reprinted in The Garland]
1829    Indian's Gratitude, An /p (I. M'Lellan), 295 [Now had the autumn day gone by,/ White man! farewell to thee.']
1829    Slipshod Sketches:  London Streets (J. B. Van Schaick), 298 [When Dr. Kitchener concocted his very excellent 'maxims for locomotion,'...]
1829    Addressed to a Young Lady on her "Coming Out" /p, 306 [And thou with girlish glee wilt go/ Than living, to forget.]
1829    Joshua Commanding the Sun and Moon to Stand Still (John Martin; Thomas Kelly), 309 smpl
1829    Joshua commanding the Sun and Moon to Stand Still /p (J. B. Van Schaick), 309 [The day rose clear on Gibeon. Her high towers/ Shining, the rain-bow banner of the skies.] [reprinted in The Garland]
1829    Blind Boy, The, 312 [Seven children gathered around the board of William Halleck;...] [reprinted in The Garland]
1829    Morning /p (H. Pickering), 326 [Light breaks upon the hills! while 'mid the air/ Ascends the universal hymn of joy and praise!]
1829    Emigrant, The (; George W. Hatch), [missing in my copy]
1829    Emigrant, The (Sara Josepha Hale), 327 ['May I inquire, Sir, if you are from New England? said the landlady...]
1829    Russian Shepherd, The/ Russian Peasants, The (Jean-Baptiste Le Prince; Joseph Andrews), 341 smpl
1829    Russian Peasants, The /p, 341 [Music is love's first language. It will tell/ By thinking, as you go to sleep, of--me.]
1829    Improvisatrice, The /p (N. P. Willis), 343 [You would not meet her eye.  She was a young/ Held lightly and flung back to thee--like mine.]

                      ==========

The Token, for 1830.  Boston:   Carter & Hendee, 1829.

1830    lovers (Henry Inman; John Cheney), title page [a version appears in The Outcast, & Other Poems, Samuel G. Goodrich]smpl
1830    Token, The /p ([Samuel G. Goodrich]), 13 [The sportive sylphs that course the air,/ The thought it whispers to thine ear.]
1830    Sea, The (F. W. P. Greenwood), 15 [['The sea is his, and he made it,' cries the Psalmist of Israel,...]
1830    Napoleon /p (Grenville Mellen), 28 [Long on the Parian bust he gazed,/ Thy fated name!]
1830    Sibyl (Guido; John Cheney), 31 smpl
1830    Sibyl, The /p (N. P. Willis), 31 [Come to my call, sweet spirits! I am sick/ To float away on its invisible wings.]
1830    Maniac, The /p (Samuel G. Goodrich), 33 [On a tall cliff that overhung the deep,/ And the piled surges form his fearful grave.]
1830    Wounded Bird, The /p (P.), 36 [This wing no more can flight sustain,/ And hasten death to hide the sting.]
1830    Indian Fighter, The (Timothy Flint; author/ "Francis Berrian"), 37 [Whoever has travelled far, and seen many men, has seen much sorrow.]
1830    To a Bride /p (John W. Stebbins), 59 [Farewell! that seal is set,/ As if an angel was there in flight.]
1830    Innocence (R. Westall; Oliver Pelton), 61 smpl
1830    Innocence /p (Grenville Mellen), 61 [Emblem of purest light on earth!/ Pass to that better world whose glories shall endure.]
1830    Height of Impudence, The ([Robert C. Sands]; James Isaacs), 63 [Mr. A. Flint was a clerk in one of the public institutions in the city of New York.]
1830    Destiny /p (P. M. Wetmore), 84 [Why should the spirit strive to penetrate/ Vain thought!  Come cherub Hope! and smile e'en on the tomb!]
1830    Three Ages of Life, The /p (Samuel Gilman; author/ "Memoirs of a New England Village Choir"), 85 [Observe what wisdom shines in that decree,/ A sweet proportion, and harmonious grace.]
1830    Doomed Bride, The (Henry Inman; George W. Hatch), 91 smpl
1830    Doomed Bride, The (Grenville Mellen), 91 ['Nay, I tell thee, Amy, that thou talkest like a witling.]
1830    Departure of the Eagle /p (B. B. Thatcher), 113 [Oh! many a deep and mournful thought,/ With thoughts firm as e'er.]
1830    Thought, A /p (G.), 116 [The storm is hushed, and on the deep/ As the stars that sleep in yon 'Upper Deep.']
1830    Lost Children, The (A. Scheffer; John Cheney), 117 smpl
1830    Lost Children, The (N. P. Willis), 117 [There is a nice distinction in Scheffer's picture of the Lost Children.]
1830    Snow /p (E. W. T.), 119 [See! see! I am falling, I'm falling!/ And I go to my own blue sky.]
1830    On the Death of a Friend /p ([Samuel G. Goodrich]); as G.), 120 [The hand that late in friendship's grasp/ Forgets this world of sin.]
1830    Portrait of J. G. C. Brainard (Elkanah Tisdale; James Barton Longacre), 121 smpl
1830    To the Memory of J. G. C. Brainard /p (Lydia Sigourney), 121 [I roved where Thames old ocean's breast doth cheer,/ Thrills deep within their souls. Lamented bard, farewell!]
1830    To Mrs. Hemans /p (G. B. C.), 124 [Thy spirit hath a pure, embalming ray,/ Forever its loved roar, in mimic murmurs sweet.]
1830    Young Provincial, The,127 ['Now, father, tell us all about the old gun,' were the words of one of a number of children,...]
1830    Lines /p (Signora), 146 [A cloud lay near the setting sun,/ And she wept herself to her silent tomb.]
1830    To a Wave /p (J. O. Rockwell), 147 [List! thou child of wind and sea,/ To be lost away in heaven.]
1830    Song of the Bees /p (H. F. Gould), 149 [We watch for the light of the morn to break,/ And the harvest is past recall.]
1830    Sleep Walker, The /p ([Samuel G. Goodrich]), 150 [In midnight dreams the wizard came,/ And I got dripping wet!]
1830    Meditation (Henri Joseph Fradelle; George B. Ellis), 151 smpl
1830    Meditation /p ([Samuel G. Goodrich]), 151 [Tell me, ye viewless Spirits of the Air,/ Doth trace your homeward pathway to the sky!]
1830    Infidelity /p ([Robert C. Sands?]; J. I.), 152 [Thou who scornest truths divine,/ Better thou didst never wake!]
1830    Country Cousin, The (Catharine Maria Sedgwick; author/ "Hope Leslie"), 153 [The dark empire of superstition has passed away.]
1830    To ---- /p (P.), 194 [When Love and Reason dwelt together,/ They say he is a woman-hater.]
1830    Banks of the Juniata (Thomas Doughty; George B. Ellis), 195 smpl
1830    Juniata, The /p ([Samuel G. Goodrich]); S. Griswold), 195 [Stream of the South! how calm thy waters rest,/ Then lost forever in eternity!]
1830    Unfinished Monument on Bunker Hill, The /p (C. G.), 196 [Nay, sceptic, gaze thou not in scorn,/ As he nears his native shore.]
1830    Captain's Lady, The (James Hall), 197 [After an absence of several years from my native city, I had lately the pleasure of paying it a visit;...]
1830    Thoughts at Sea /p (Samuel G. Goodrich), 211 [Here is the boundless ocean, there the sky/ With love, my shadowed heart.]
1830    Nulla nisi Ardua Virtus /p ([John Neilson, jr]; N.), 212 [Not without toil is Fame's bright palace won,/ We prize the longest, and we love the best.]
1830    To an Aul' Stane /p (Thomas Fisher), 213 [Wee shapeless bit of aul' whin stane,/ Wha mad' us a'.]
1830    Wag-Water, The (S. Hazard), 215 ['And thus do all my visions of happiness vanish into air.']
1830    Grandfather's Hobby (Thomas Sully & Charles Bird King; Edward Gallaudet), 233 ["Juvenile Ambition," 1825] smpl
1830    Grandfather's Hobby /p ([Samuel G. Goodrich]), 233 [When some tall sage, revered and gray,/ Like the old man that told the story!]
1830    Dream of the Sea, A /p (W. G. Clark), 235 [I slept; and lo! upon my shrinking sight/ And steeped in golden light, the blue hills stretched around!]
1830    Legend of the Withered Man (William L. Stone), 237 ['It is impossible to sail while the wind tears at this rate--...]
1830    Minstrel, The /p ([John O. Sargent]; V. V. Ellis), 255 [Low on the solemn bier!/ He shall not be forgot.]
1830    Chocorua's Curse (Thomas Cole; George W. Hatch), 257 ["Chocorua's Curse," 1828] smpl
1830    Chocorua's Curse (Lydia Maria Child; author/ "Hobomok"), 257 [The rocky county of Stafford, New Hampshire, is remarkable for its wild and broken scenery.]
1830    Lines /p ([Samuel G. Goodrich]), 265 [When God is heard, the giant whirlwinds rise,/ Peace sheds her light and happiness her day.]
1830    To ---- /p (N--s), 266 [By the pale moon we told our love,/ Are mine, and when I'm gray.]
1830    Leaf, The /p (Samuel G. Goodrich), 267 [It came with spring's soft sun and showers,/ And like the leaf he sinks forever.]
1830    Frosted Trees, The /p (Alonzo Lewis), 269 [What strange enchantment meets my view,/ For the morning's glorious show.]
1830    Huguenot Daughter, The (Hannah Dorset), 271 [The Atlantic waves were sparkling under a sun of almost tropical brilliancy,...]
1830    Dream, A /p, 294 [The sun went down to its sapphire bed,/ O'er the Spirit-world of Day.]
1830    Schoolmistress, The, (W. Owen; Thomas Kelly), 295 smpl
1830    Schoolmistress, A /p (Lydia Sigourney), 295 [How doth this picture's art relume/ As kindled o'er its birthplace there.]
1830    Ode to the Russian Eagle /p (George Lunt), 297 [Bird of the proud imperial eye,/ And stand all free, or sleep on glory's sod.]
1830    Utilitarian, The (John Neal), 299 [We were walking together in a broad, unfrequented street of Philadelphia.]
1830    Genevieve (A. M. Huffman; S. Andrews), 319 smpl
1830    Genevieve /p (N. P. Willis), 319 [She was indifferent as a star in heaven/ As he went bounding from the gate away.]
1830    Bubble, The /p (J. O. Rockwell), 321 [See the tiny shell afar,/ And the Zephyr drinks its breath!]
1830    Bugle, The /p (Grenville Mellen), 323 [Oh! wild, enchanting horn!/ On midnight's fathomless profound!]
1830    Sketch /p (J. P. Brace), 325 [The moon was smiling on the joyous deep,/ Of love, for in the gloomy ocean's depths.]
1830    Greek Lovers (Robert Walter Weir; Asher B. Durand), 327 smpl
1830    Greek Lovers /p ([Samuel G. Goodrich]), 327 [Fly, Greek! for the gloomy battle-cloud/ And thou shalt still be free!]
1830    Extract (John Pierpont), 329 [The earth, and all that dwell upon the face of it,...]

                      ==========

The Token, for 1831.  Boston:  Gray & Bowen, 1830.

1831    presentation plate (George Harvey; Edward Gallaudet) smpl
1831    Isabel (S. Newton; Moseley Isaac Danforth), frontispiece smpl [reprinted as frontispiece in Moral Tales]
1831    vignette, with "The Calmady Children" (George Harvey & Thomas Lawrence; Vistus Balch & Edward Gallaudet), title page ["The Calmady Children," 1823] smpl
1831    Mysteries of Life, The (Orville Dewey), 9 [To the reflecting mind, especially if it is touched with any influences of religious contemplation...]
1831    To a City Pigeon /p ([N. P. Willis]), 24 [Stoop to my window, thou beautiful dove!/ Lessons of heaven, sweet bird, in thee!]
1831    To the Moonbeam /p (Hannah F. Gould), 26 [Away!  Away! from her favorite bower,/ And weep o'er the lost, in her lonely bed!]
1831    Lost Boy, The (Alvan Fisher; Edward Gallaudet), 27 smpl
1831    Lost Boy, The /p (Oliver Wendell Holmes), 27 [How sweet to boyhood's glowing pulse/ He may not break thy rest!]
1831    To ---- /p, 28 [Blessed thou art, and shalt be! though thy day/ The beautiful made permanent above?]
1831    Religion of the Sea (F. W. P. Greenwood), 29 [The ocean is wonderful and divine in its forms and changes and sounds,...]
1831    Sights from a Steeple ([Nathaniel Hawthorne]), 41 [So! I have climbed high, and my reward is small.]
1831    Lake Superior /p (Samuel G. Goodrich), 52 ['Father of Lakes!' thy waters bend/ Deems as a bubble all your waves!]
1831    Lines /p (L. M--t), 54 [Yes! there are pleasures, that so closely tread/ And, though she sweetly smiles, her smiles are stained with tears.]
1831    American Scenery (Thomas Cole; George B. Ellis), 55 ["Scene from 'The Last of the Mohicans: Cora Kneeling at the Feet of Tamenund"] smpl
1831    American Scenery, 55 [The picture by Mr. Cole, of which we have given a copy under the above title,...]
1831    Fated Family, The, 57 [Shortly after the close of the Revolutionary war, I visited the islands, which in a clear day,...]
1831    Remembrance /p (Charles West Thomson), 83 [Ay! 'tis a holy rite,/ And let them in their tombs remain!]
1831    Ronda (author/"Year in Spain"), 85 [Spain, whether considered as a land singularly favored in soil, climate, and all the blessings...]
1831    Thought, A /p (P. M. Wetmore), 106 [As we look back through life,/ From thousands of roses!]
1831    Music (Dominichino; Edward Gallaudet), 107 [St. Cecelia] smpl
1831    Ode on Music /p (Grenville Mellen), 107 [Spirit of Heaven! that bowed, of old,/ Of Eden's breathless pair!]
1831    I meet them in my Dreams /p (Mrs. L. P. Smith), 114 [The loved, the lost, the beautiful!/ To earth its rising wings.]
1831    Haunted Quack, The ([Nathaniel Hawthorne]; as Joseph Nicholson), 117 [In the summer of 18--, I made an excursion to Niagara.]
1831    Midnight Mail, The /p (H. F. Gould), 138 ['T is midnight--all is peace profound!/ Though filled with joy or grief!]
1831    Lines /p, 140 [The brightest star of eventide/ Shall shine, but shine no more for me.]
1831    Just Seventeen (Thomas Lawrence; John Cheney), 141 ["Rosamond Croker," c1826] smpl
1831    Just Seventeen /p, 141 [Her picture hangs before you there--/ 'Cydippe's mirror' in my pensive heart.]
1831    To Zahpahtah (William Joseph Snelling; author/ "Tales of the Northwest"), 143 [The River St. Peters makes a great bend at the mouth of its tributary,...]
1831    Return to Connecticut /p (Lydia Sigourney), 152 [Hail, native earth!--from brighter climes returning,/ And decks like Eden's wreath the white-haired grandsire's shroud.]
1831    New England Village, The, 155 [Some years ago it was my destiny to reside in a New England village.]
1831    Birth of Thunder, The /p (J. Snelling), 177 ['Look, white man, well on all around,/ Such is the tale our fathers tell.']
1831    Indian's Burial of His Child /p (Lydia Sigourney), 184 [Go to thy bed of earth,/ A faithful mother's breast.]
1831    To the Witch Hazel /p, 186 [Mysterious plant! whose golden tresses wave/ To treasures for the just laid up in heaven.]
1831    Blind Mother, The (Lescot; Joseph Andrews), 187 smpl [reprinted in the Bliss album]
1831    Blind Mother, The /p ([N. P. Willis]), 187 [Gently, dear mother, here/ With but one sense of the soul may overflow!]
1831    Adventurer, The (J. Neal), 189 ['Murder will out,' they say; and I believe it.]
1831    To ---- /p (O. W. B. Peabody), 213 [Too lovely and too early lost!/ Are gone to early grave.]
1831    To a Lady on Her Thirtieth Birthday /p, 216 [Lady! on thee may all life's blessings rest,/ Enter thou then the faithful servant's home.]
1831    Isabel (S. Newton; Moseley Isaac Danforth), 217 [listed thus in contents; engraving appears as frontispiece]
1831    Isabel /p, 217 ['T is morning, yet I am not gay--/ I now can scarcely hide my tears.]
1831    Village Musician, The (James Hall), 219 [The reader who has ever been in the pleasant town of Herkimer in New York,...]
1831    Shadow, The (Alvan Fisher; Joseph Andrews), 247 smpl [reprinted in the Bliss album]
1831    Shadow, The, 247 [Patrice M'Gruger had been incarcerated for six years in Simsbury Mines, for some crime...]
1831    Lord Vapourcourt ([Alexander H. Everett]), 249 [Lord Vapourcourt was the lineal representative of an English family of rank and fortune;...]
1831    Farewell /p, 284 [Lady, farewell!  The ready sail,/ To brave the stormy ocean brine?]
1831    Snow Shoe, The (Lt. Hood; Oliver Pelton), 285 smpl
1831    Snow Shoe, The /p (J. S.), 285 [Go, go away, you foolish man;/ And let me mend my shoe.]
1831    Captive's Dream, The /p (Samuel G. Goodrich), 288 [Ere yet the mountain peak hath caught the gleam/ And o'er the forest-tomb forgetfulness is spread!]
1831    Mary Dyre (Catharine Maria Sedgwick), 294 [The subject of the following sketch, a Quaker Martyr,...]
1831    New Tyrolese Waltz, 313 [music] smpl
1831    Waltz, The, 313 [In all parts of Germany, the Waltz is a national pastime.]
1831    Alchymist, The /p (Sarah Josepha Hale), 314 [Thousands, with anxious care, have sought/ Thou hast the golden secret sure!]
1831    Oriental Mysticism ([Leonard Woods]; L. W.), 315 [The following passage is translated from a German version of the Dschauhar Odest,...]
1831    Oriental Mysticism  /p ([Leonard Woods]; L. W.), 315 [In ancient days, as the old stories run,/ And they slumber both on the bottom of the deep!]
1831    Last Request, The /p (B. B. Thatcher), 319 [Bury me by the Ocean's side--/ Till sky and the seas shall have passed away!]

                      ==========

The Token, for 1832.  Boston:  Gray & Bowen, 1831.

1832    presentation plate (George Harvey; Alonzo Hartwell) [missing in my copy]
1832    vignette with "The Souvenir" (Le chiffre d'amour) (Jean-Honore Fragonard & George Harvey & Edward Gallaudet; Edward Gallaudet), title page smpl
1832    vignette of putti & mask (James Stothard; George L. Brown), 3 smpl
1832    To .... /p (G.), 5 [Yes, lady! all you say is true--/ That Love was ever lurking near it.]
1832    Will He Bite? (Alvan Fisher; Edward Gallaudet), 7 smpl
1832    Will He Bite? /p ([Samuel G. Goodrich]), 7 [No, boy, not one so innocent as thou,/ That Innocence hath a surer shield than they.]
1832    What is Life? /p, 8 [What is life?  Saith the sage, we are born but to die;/ And I say, with honest old Burchill, 't is--fudge!]
1832    Theology of Nature, The (Orville Dewey), 9 [It is a bountiful creation.]
1832    Fairy Isle, The (Francis Danby; George B. Ellis), 19 smpl
1832    Surf Sprite, The /p (Samuel G. Goodrich), 19 [In the far off sea there is many a sprite,/ And over the sea we shall swiftly ride.]
1832    Indian Summer, The ([Henry Wadsworth Longfellow]), 24 [In the melancholy month of October, when the variegated tints of the autumnal landscape...]
1832    Dying Storm, The /p (Hannah F. Gould), 36 [I am feeble, pale, and weary,/ And am now a dying storm!]
1832    Equinoctial Storm, The (Roqueplan, Hatch & Smillie), 37 [missing in my copy]
1832    Equinoctial Storm, The, 37 [The description of the storm, and the perils of Sir Arthur Wardour...]
1832    Dreams of Hope, The /p (B. B. Thatcher), 39 [Far out upon the desert sea,/ Come out, O God, from thee!]
1832    My Cousin Lucy (James Hall), 41 [It has been well said, that the memory never loses and impression, that has once been made upon it.]
1832    To a Lady /p ([Samuel G. Goodrich]), 61 [Farewell! thy last adieu is ta'en,/ To the trembling wave, as the anchored shore.]
1832    Blind Girl to Her Mother, The /p ([Samuel G. Goodrich]); as L. S--t), 62 [Mother, they say the stars are bright,/ And stay in yonder sky.]
1832    Lesbia (Joshua Reynolds; John Cheney), 63 ["Mrs. Collyear," 1762-1763] smpl
1832    Lesbia /p (Hannah F. Gould), 63 [The very morn I saw him gird/ Another name for grief!]
1832    Scenes in a Spanish Pueblo (author/ "A Year in Spain"), 64 [Campillo, at which we arrived after midnight, is a pleasant little village.]
1832    Stanzas /p (Grenville Mellen), 67 [There stand forever!  God will bear thee up,/ Whose virtue almost makes humanity divine!]
1832    Frost /p (Hannah F. Gould), 68 [The Frost looked forth, one still, clear night,/ Shall "tchick," to tell them I 'm drinking!']
1832    Waterfowl, The /p (J. H. Miflin), 70 [I saw on the breast of a beautiful river,/ Above on etherial wings.]
1832    Autumn /p (A. A. Locke), 71 [The summer days are over,/ From dust that I shall be!]
1832    Wives of the Dead ([Nathaniel Hawthorne]), 74 [The following story, the simple and domestic incidents of which may be deemed scarcely worth relating,...]
1832    Young Artist, The (Cristall/ Cassaert; Joseph Ives Pease), 83 smpl
1832    Young Artist, The /p (Hannah F. Gould), 83 [Ay! young dreamer, this is the hour/ That shall not decay whe the sun goes down!]
1832    Meteor, The /p ([Hannah F. Gould]), 85 [Ye who look with wondering eye,/ And in darkness I must end!]
1832    Weep Not for the Dead /p (Samuel G. Goodrich), 86 [Weep not for him, who hath laid his head/ And call the sleeper away to the sky!]
1832    Returning a Stolen Ring /p ([John O. Sargent]; Charles Sherry), 87 [Well, lady, take again the ring,/ Forget this stolen ring and me!]
1832    My Kinsman, Major Molineux ([Nathaniel Hawthorne]; author/ "Sights from a Steeple"), 89 [After the kings of Great Britain had assumed the right of appointing the colonial governor...]
1832    Love and Care /p, 116 [Once, in the plain of Aready,/ That Love and Care were never parted.]
1832    Toilet, The/The Toilette (; George B. Ellis), 117 smpl
1832    Toilet, The /p (Grenville Mellen), 117 My hair--my hair--how long it is!/ Let what will be within.]
1832    Dead Soldier, The (J. Wright; Seth Wells Cheney), 121 smpl
1832    Dead Soldier, The /p (Lydia Sigourney), 121 [Soldier!--She 's near thee now,/ To heal a widow's woe.]
1832    New England Climate, 123 [I called the other evening to see one of my friends, who is just at that critical period of life,...]
1832    South Georgian Lark, The /p (Lydia Sigourney), 133 [Lone minstrel of yon dreary isle/ Like that blest Georgian bird.]
1832    Touch Thy Harp /p (Louisa P. Smith), 135 [Touch thy harp! and wake once more/ Though those hopes are romance now.]
1832    Fountain of Forgetfulness /p (P.), 137 [Will you drink of this fountain and sorrow forget?/ Till her spirit is humbled and broken like mine.]
1832    Philosophy /p ([John O. Sargent]; Charles Sherry), 138 [It was a fleeting passion, brief and vain,/ To bind me to its nothingness again!]
1832    Bashful Man, The (Thomas Gray; author/ "The Vestal"), 144 [Let him who has never suffered from the horrors of bashfulness, pass by this article.]
1832    Apprehension (Deveria; James H. Hills), 153 smpl
1832    Apprehension /p (Hannah F. Gould), 153 ['Oh! sister he is so swift and tall,/ The fall, and got over the bump!']
1832    Winter Leaf, The /p (Charles West Thomson), 154 [Last leaf of the withered bough!/ Glide blissfully away.]
1832    Fall of the Temple, The /p (Thomas Gray, jr), 156 ['T was festival in Gaza.  Pealing out/ Dreadful art thou, oh God!]
1832    Roger Malvin's Burial ([Nathaniel Hawthorne]), 161 [One of the few incidents of Indian warfare, naturally susceptible of the moonlight of romance,...]
1832    Invisible Serenader, The (J. M. Wright; Seth Wells Cheney), 189 smpl
1832    Legend of the Lake /p (Grenville Mellen), 189 [No sleep to eyes that watch the moon,/ Then forth in flight their chargers sprung.]
1832    Frozen Dove, The /p ([Hannah F. Gould]), 192 [Away, from the path! silly dove,/ To suffer and perish alone!]
1832    Gentle Boy, The ([Nathaniel Hawthorne]), 193 [In the course of the year 1656, several of the people called Quakers,...]
1832    Freshet, The (Alvan Fisher; George W. Hatch), 241 smpl
1832    Freshet, The /p ([John O. Sargent]; V. V. Ellis), 241 [Noon! and no fleecy cloud/ Will shelter them and save at this most awful hour!]
1832    Minstrel, The /p (Willis G. Clark), 243 [I knew him, when the morning sun/ Like the gay flowers of Asphodel!]
1832    Valley of Vision, The /p (P.), 246 [There is a land that pleasant seems/ And taste in this its sweet repose.]
1832    Song of the Revolution /p (Thomas Gray, jr), 247 [We meet but to part, love, we part but to meet,/ When we come back with vengeance, or come not again!]
1832    Nimrod Buckskin, Esq. (T. Flint), 249 [I have not seen a fairer sample of the respectable and opulent western pioneers in the bygone days,...]
1832    Escape, An (Alvan Fisher; Annin & Smith), 275 smpl
1832    Escape, An, 275 ['It was the afternoon of an autumn day, and my journey led me over a range of low, broken hills,...]
1832    Bloody Brook /p (J. I. M'Lellan), 277 [Crystal fountain! lonely stream!/ Sings a song as blithe as thou!]
1832    Doncella, La /p ([Henry Wadsworth Longfellow]; L.), 280 [Tell me, thou ancient mariner,/ Be half so fair as she.]
1832    My Wife's Novel, 281 [I was descending the Ohio, in a steamboat, in the month of May, 1830,...]
1832    Carnival at Potosi (W. Hornsby; John B. Neagle), 315 smpl
1832    Carnival at Potosi, The, 315 [A recent traveller in Peru gives a lively account of this manner in which...]
1832    Falls of the Niagara (F. W. P. Greenwood), 317 [There is a power and beauty, I may say a divnity, in rushing waters,...]
1832    To a Violet /p (Charles Wadsworth), 332 [Awake, thou beauteous flower,/ Like thee, sweet violet, sleeping.]
1832    Peasant Boy (Cristall; Oliver Pelton), 333 smpl
1832    Peasant Boy /p (B. B. T[hatcher]), 333 [Who is more blest than the peasant boy,/ Be only the herd and the hunting-horn.]
1832    Sketch of a Blue-Stocking, A ([Catherine M.] Sedgwick), 334 [Mrs. Laight, till the respectable age of fifty, devoted her time and talents...]
1832    Byron, at the Age of Nineteen (George Sanders; James H. Hills), 347 [portrait of George Gordon, Lord Byron, 1809] smpl
1832    Byron, at the Age of Nineteen /p ([John O. Sargent]), 347 [Does it not break upon thee now,/ Are curtained with the clouds of night!]
1832    Ruins /p ([John O. Sargent]), 348 [The spirit of decay has breathed/ Is the doom to pass away.]
1832    David Whicher, 349 ['Sir,' said a little man with spectacles, who had been reading a volume of poetry,...]
1832    Lute, The (R. P. Bonington; Oliver Pelton), 373 smpl
1832    Lute, The /p (B. B. T[hatcher]), 373 [My twilight lute! my twilight lute!/ For surer pledge--she need not speak.]
1832    Garden of Graves, The (J. Pierpont), 374 [At last, we are to have a place, in which, with our friends, we may be laid when we are dead,...]
1832    Opening of the Sixth Seal, The (C. Francis Danby; Illman & Pilbrow), 391 ["Opening of the Sixth Seal," 1828] smpl
1832    Opening of the Sixth Seal, The /p (Thomas Gray, jr), 391 [I stood above the mountains, and I saw/ And who can hope to stand?']
1832    vignette of sleeping putto (George L. Brown & Northcote; Abel Bowen), 392 smpl

                      ==========

The Token, for 1833.  Boston:  Gray & Bowen, 1832.

1833    presentation plate (; Alonzo Hartwell) smpl
1833    Guardian Angels (Joshua Reynolds; John Cheney), frontispiece ["Child with Guardian Angels," 1786] smpl
1833    vignette of small child with large dog (Alvan Fisher; Edward Gallaudet), title page smpl
1833    vignette of 3 putti with a copy of the Token (C. M. Metz & Abel Bowen; Abel Bowen), 13 smpl
1833    To ---- /p (E.), 13 [Nay, gentle lady, do not sigh/ A TOKEN--merely of esteem.]
1833    Storm, The (Alvan Fisher; George W. Hatch/ John William Casilear), 15 smpl [reprinted in the Bliss album]
1833    Storm, The /p ([Epes Sargent]; E. S.), 15 [Our ship had traversed many a league/ Had found an ocean grave.]
1833    Shipwrecked Coaster, The, 17 [There are few classes of men more exposed to hardships and disaster, than those employed in the coasting trade...] [reprinted in The Boston Literary Magazine, Nov 1832]
1833    Rescue, The (Alvan Fisher; Edward Gallaudet), 33 smpl [reprinted in the Bliss album]
1833    Rescue, The /p, 33 [The father has clasped his child,/ To Him who is strong to save.]
1833    Autumnal Musings (John Pierpont), 34 [We have withdrawn ourselves from the busy crowd,...]
1833    Passage of the Beresina /p (Lydia Sigourney), 43 ["On with the cohorts, on!  A darkening cloud/ Is better passport at the gate of Heaven.]
1833    Dancing (S. Le Clerk; Joseph Ives Pease), 47 smpl
1833    Dancing Days /p, 47 [What is Care? such a thing they say there is,/ I will look for delight to my dancing days.]
1833    Song /p ([John O. Sargent]; Edward Vere), 48 [One thought for me, my love,/ That he baffled a coquette!]
1833    Seven Vagabonds ([Nathaniel Hawthorne] author/ "The Gentle Boy"), 49 [Rambling on foot, in the spring of my life and the summer of the year, I came one afternoon...]
1833    Lines on Seeing a Soldier of the Revolution Surrounded by His Family /p ([Samuel G. Goodrich]), 72 [The oak that long defies the blast/ As if a mountain cross'd its path.]
1833    Guardian Angels (Joshua Reynolds; John Cheney), 73 ["Child with Guardian Angels," 1786; listed in contents, but not placed here] smpl
1833    Guardian Angels /p ([B. B. Thatcher]), 73 [Gently, gently fall sweet sleep/ We will lead and we will love thee.]
1833    Bald Eagle, The ([Henry Wadsworth Longfellow]), 74 [In one of the little villages sprinkled along the delicious valley of the Connecticut,...]
1833    Artist, The /p ([Samuel G. Goodrich]), 90 [His youthful brow was pale and dreaming,/ He died the victim of despair!]
1833    Cure for Dyspepsia, A, 93 [There are few beings in the world that are not united by some bonds of relationship;...]
1833    Delhi (W. Purser; John B. Neagle), 113 smpl
1833    Delhi ([Elizabeth M. Sewell] author/ "Affianced One"), 113 [It was a festival in Delhi.]
1833    Sir William Pepperell ([Nathaniel Hawthorne] H.; author/ "Sights from a Steeple"), 124 [The mighty man of Kittery has a double claim to remembrance.]
1833    Italian Peasants (P. Williams; Thomas Kelly), 135 smpl [reprinted in the Bliss album]
1833    Italian Peasant's Song /p (Thomas Gray, jr), 135 [The twilight hour--the twilight hour!  Tis sweet a setting sun,/ Turn ye, as turns the opening flower, to the brighter world above.]
1833    Relief of Orleans /p (P.), 136 [The city of Aurelian Wails/ And Orleans lives again!]
1833    To a Wild Deer /p (Charles West Thomson), 140 [Why did'st thou leave thy native woods,/ And wishes for the shades again!]
1833    Gibraltar /p (J. O. Rockwell), 142 [A bright blue smoke, and a sudden flame/ And the cadence sweet of that morning gun.]
1833    Hypochrondriac's Good Night, The /p (S.), 144 [Good night to all the world! there's none/ Sighing shall bid a long good night!]
1833    Poor Relations/ Visit of the Poor Relations (Stephanoff; Oliver Pelton), 145 smpl [reprinted in the Bliss album]
1833    Visit of Poor Relations ([Frances E. I. Calderon de la Barca]), 145 [It was a cold winter evening, and Sir Jacob Royalstone, Baronet,...]
1833    Evening in Autumn, An /p (Henry Wadsworth Longfellow), 150 [It was the season when the summer sun/ Where there was neither sorrow, death, nor pain.]
1833    Canterbury Pilgrims, The ([Nathaniel Hawthorne]), 153 [The summer moon, which shines in so many a tale, was beaming...]
1833    Bridemaid, The (E. T. Parris; George B. Ellis), 167 smpl [reprinted in the Bliss album]
1833    Bridemaid, The /p (Hannay P. Gould), 167 [Tis over!  I have past the cruel test!/ The coming of the Bridegroom!]
1833    Fall of Missolonghi (B. B. Thatcher), 171 [Among the miserable population of Missolonghi, in the spring of 1826, was a family...]
1833    Parisian Milliners and the Fishes /p (Lydia Sigourney), 180 [Commerce, they say, is quite a source of profit;/ "All partial evil, universal good?"]
1833    Life /p (M.), 184 [We toil for renown, yet we sigh for repose,/ Or behold from our sorrow how deep was our love.]
1833    Joan of Arc (Paul Delaroche; John B. Neagle), 185 ["Joan of Arc in Prison"] smpl [reprinted in the Bliss album]
1833    Joan of Arc ([Frances E. I. Calderon de la Barca]; F. I.), 185 [The sun was pouring his last rays over the fertile valley of the Vosges,...]
1833    Shipwreck, The (Joseph Vernet; John B. Neagle), 201 smpl
1833    Shipwreck, The /p (B. B. Thatcher), 201 [A noble ship, all gallantly,/ Will look for their returning.]
1833    Sketches of Conversation /p, 203 [Who that has climbed the rugged mountain's side,/ "Then, when my heart is full, I think of thee."]
1833    Belshazzar's Feast (John Martin; William Keenan), 217 smpl
1833    Belshazzar's Feast /p (Thomas Gray, jr), 217 ['Twas starry night.  along her moonlit banks/ And Babylon was fallen.]
1833    Indian's Welcome to the Pilgrim Fathers, The /p (Lydia Sigourney), 220 [Above them spread a foreign sky,/ Ah! who shall welcome thee?]
1833    Bridal Ring, The (Catharine Maria Sedgwick), 223 [It is now nearly three years since I was told that two travellers, an elderly gentleman and his daughter,...]
1833    Dirge of a Young Poetess /p ([Henry Pickering]; Falkland), 247 [Ah, what avails 'to build the lofty rhyme?'/ Thy mournful tale.]
1833    Audrey & Touchstone (J. Leshe; Alexander Lawson), 249 smpl [reprinted in the Bliss album]
1833    Touchstone and Audrey ([William Shakespeare]), 249 [You do love this maid?]
1833    Blind Grandfather (T. Flint), 250 [The world assumes an entirely different aspect to beholders, according to their views and temperaments.]
1833    Quaker, The /p (Hannah F. Gould), 265 [The Quaker stood under his smooth broad brim,/ In the scenes they are rolling by.]
1833    Night Thought, A /p (Grenville Mellen), 270 [The day was passing to its rest--/ Then worship, and be still!]
1833    Rural Amusement (Thomas Lawrence; George B. Ellis), 273 smpl [reprinted in the Bliss album]
1833    Rural Amusement /p (Hannah F. Gould), 273 [It was not the woodpecker tapping the tree--/ And put forth his head to reveal it.]
1833    Stormy Night, The /p ([Hannah F. Gould]), 275 [Patter, patter, patter!/ Weary pilgrim, shines thy hope of day!]
1833    On a Noisy Politician /p ([John O. Sargent]; C. Sherry), 276 [A traitor's head, in days of old,/ To take out brains, and put in lead.]
1833    To a Lady /p ([John O. Sargent]; Lawrence Manners), 277 [The deathless leaf that bound/ Of him that sleeps below.]
1833    Song /p ([John O. Sargent]; George Grey), 280 [Beauty beams in the blushing flower,/ And all so dark within?]
1833    Stolen Match, The (Caleb Cushing), 281 [The vesper bell had tolled the hour of oraciones, in Valladolid,...]
1833    Fountain of Love, The /p (M. B.), 307 ['Tis the Fountain of Love, in this wilderness gushes;/ And sorrow depress and divide them no more.]
1833    What is It? /p (F.), 308 ['Tis the meed of the good, 'tis the joy of the brave,/ What is it--detraction? 'tis worse: it is Praise.]
1833    Wasp and the Hornet, The /p (Oliver Wendell Holmes), 309 [The two proud sisters of the sea/ The paths they swept of old!]
1833    Philosopher to His Love, The /p (Oliver Wendell Holmes), 310 [Dearest, a look is but a ray/ Or some sweet angel likest thee!]
1833    My Native Land /p ([John O. Sargent]; H. Vane), 312 [I read of other climes,/ The proudest of old story.]
1833    Mazeppa (Horace Vernet; Illman & Pilbrow), 313 ["Mazeppa and the Wolves," 1826] smpl [reprinted in the Bliss album]
1833    Mazeppa /p, 313 ["We rustled through the leaves like wind,/ At bay, destroying many a foe."]
1833    Capture, The, 314 [Catharine Ormsby was the prettiest girl in the village of C----.]
1833    To a Fragment of Silk /p (Lydia Sigourney), 335 [Well, radiant shred of Silk, is it your choice,/ And paper puff his pride; go, gaudy fragment, go!]
1833    Portrait, The (Leslie; John Cheney), 337 smpl
1833    Portrait, A /p (Oliver Wendell Holmes), 337 [A still, sweet, placid moonlight face,/ It mocked them when they sighed.]
1833    Trout Fishing, 338 [If there were any returns made of this branch of industry, they would show a great falling off...]
1833    Fur Cloak, The, 342 [It was in the winter of 1805, that I was dining at Mrs. Jefferson's,...]
1833    Philip of Mount Hope /p ([John O. Sargent]; J. O. S.), 351 [Away! away! I will not hear/ Wake--but to deal in blood and fire!]
1833    Scene in Spain, A (; George W. Hatch/ Rawdon, Wright, Hatch & Co.), 353 smpl
1833    Spanish Scene, A /p, 353 [O, scenes of days departed,/ Which have forever flown!]
1833    vignette of 5 putti (P. Violet; Abel Bowen), 354 smpl

                      ==========

The Token, for 1834.  Boston:  Charles Bowen, 1833. [copy missing pp. 207-210 & several plates]

1834    presentation plate (George Harvey; Oliver Pelton) [missing in my copy]
1834    coquette looking out a window (A. M. Huffan; Edward Gallaudet), title page smpl
1834    Introduction (Orville Dewey), 9 [The season for presenting to the public our Annual Token, may justify some reflections,...]
1834    Old Oak, The /p (Samuel G. Goodrich), 19 [Friend of my early days, we meet once more!/ Shall spring to life beyond these bending skies!]
1834    Sketch, A /p (Frederic Mellen), 23 [The moon rose up, while o'er the deep,/ On that sweet night and lone ship bell.]
1834    Shadows and Sunbeams /p, 24 [Like billows streaming in the light,/ And part again, before a leaf!]
1834    Why Don't He Come? (; John Cheney), 25 smpl
1834    Why Don't He Come? /p (Hannah F. Gould), 25 [The ship has anchor'd in the bay!/ Then find him in an angel throng!"]
1834    My Lot /p ([John O. Sargent]; Charles Sherry), 28 [Ay! the toil is a sad one, and sad is the lot,/ Still my song shall keep tune with the clank of my chain!]
1834    To an April Flower /p ([John O. Sargent]; George Grey), 30 [Ay, thou art welcome! the rough winds are rushing/ A memory pure as thine, most dear of flowers.]
1834    Study of Natural History (F. W. P. Greenwood), 31 [The love of nature, and the knowledge of natural history, are two different and distinct things,...]
1834    Song /p (R. C. Ellwood), 48 [Pleasant thoughts, pleasant thoughts,/ Come to me, I pray!]
1834    Benares (W. Purser; John B. Neagle, 49 [missing in my copy]
1834    Diamond, The ([Frances E. I. Calderon de la Barca]; F. E. I.), 49 [Under the shade of a lofty mango tree, which grew in the front of an humble but pleasant dwelling in the neighborhood of Benares,...]
1834    Song of the Stromkerl /p (Park Benjamin), 67 [Come, dance, elfins dance! for my harp is in tune,/ In splendor shall melt the last lingering star!]
1834    I Think on Thee /p (transl; H. I.), 69 [I think on thee./ I think of thee.]
1834    Death and His Myrmidons /p (I.), 71 ["Brothers our task is done,/ Have met their doom.]
1834    To Sleep /p (C. Cushing), 71 [O sleep, thou placid offspring of the still/ Still to my weary pillow rest refuse.]
1834    To a Mother /p (Samuel G. Goodrich), 77 [The babe that by thy side is sleeping,/ And rest in pleasure there.]
1834    To the Evening Star /p (C. Cushing), 78 [Stars of the twilight, regions of the west,/ Along my path auspiciously be shed!]
1834    Convent of the Paular, The ([Henry Wadsworth Longfellow]; L.), 79 [How quickly a soldier arranges his march!]
1834    Flowers (Stephanoff; Oliver Pelton), 99 [missing in my copy]
1834    Flowers /p (Lydia Sigourney), 99 [I'll tell thee a story, sweet/ Like its alphabet of flowers.]
1834    Reminiscence of Federalism, A (Catharine Maria Sedgwick), 102 [A calm observer who has scarcely lived half the age of man, must look back...]
1834    To a Mother, on the Death of Her Child /p (Samuel G. Goodrich), 144 [Beside my window grew a tree,/ My little bird once more to meet.]
1834    To My Sister /p (B. B. Thatcher), 146 [My sister!  O, my sister!/ It burns, it thrills me yet!]
1834    Orphans, The (; John Cheney), 147 [missing in my copy]
1834    Orphans, The /p (Lydia Sigourney), 147 ["Sister, when I go to rest,/ What that mother was to me."]
1834    Tomb, The /p ([Samuel G. Goodrich]); as G.), 149 [Beneath this verdant turf the bed is laid,/ Shall roll the sleeper by in death's cold dream.]
1834    Mutability /p (Charles West Thompson), 151 [There are melancholy feelings spread/ Will never pass away!]
1834    Vision, A /p (G.), 153 [My word is given, and I must write--/ Which waits for man, with God above.]
1834    Translation from the Provencal of Arnaud de Carcasses /p, 157 [In a garden fenced with turrets grey,/ Love token till we meet again."]
1834    To a Young Lady /p (Park Benjamin), 159 [I fear, I fear the hour may come,/ Than liberty away from thee!]
1834    Castle, The (Renour; George B. Ellis), 161 smpl
1834    Castle, The ([Frances E. I. Calderon de la Barca]; F. E. I.), 161 [It was a glorious scene for a painter.]
1834    To a Dying Child /p (L.), 170 [That was the last, the sigh of death--/ Nor found that love, and truth, and trust, were but an empty name.]
1834    Troubadour Lay of War, A /p (L.), 172 [Oh, listen lords and ladies bright,/ And Conrade gained the victory!]
1834    Sonnet /p (W. R. Morris), 174 [From the cold regions of the cloudy west,/ Of this sweet scene, which I in spirit see.]
1834    Consumption (Thomas Gray; author/ "The Vestal"), 175 [It is now many a long year since I first became a frequent visitor at the hosue of a friend,...]
1834    Stanzas from the French of Victor Hugo /p (R. C. Ellwood), 189 [I stood by the waves, while the stars glitter'd bright;/ Creator, we bless thee and praise!]
1834    Autumn (Charles West Thompson), 190 [If there is any thing really beautiful in nature, it is the appearance of our American woods in the fall;...]
1834    Night Storm, The (Vandervelde; John B. Neagle), 195 smpl
1834    Storm at Night, The /p ([Epes Sargent]; E. S.), 195 ['Tis a dreary thing to be/ Save us--thou alone canst save!]
1834    Weep Not for the Dead /p (B. B. Thatcher), 197 [Oh, lightly, lightly tread/ But weep not for the dead!]
1834    Plague in the Forest, The /p (John Quincy Adams), 199 [Time was, when round the lion's den,/ The victim was--the ass.]
1834    Convict, The /p (Samuel G. Goodrich), 204 ['Tis the midnight hour: in the prisoner's cell/ He is struggling borne to his doom away.]
1834    Hymn /p, 206 [Oh Thou, whose smile is love!/ And rise with them, till, sweet in heaven, your seraph song is heard!]
1834    Yankee Tea Party, The (Hannah F. Gould), 207 [missing in my copy]
1834    Stream and the Flower, The /p (T. H. E.), 211 [Autumn was fading,/ Let me sleep well!]
1834    Lines Written at Sea /p (Park Benjamin), 214 [The sails are set--the breeze is fair--/ Still shall our vessel fly!]
1834    To a Lady, with a Necklace /p ([John O. Sargent]; C. Sherry), 216 [The dark-eyed Indian maid, who leads/ These gay and graceful gems of art.]
1834    Death of Hassan (Horace Vernet; George B. Ellis), 217 smpl
1834    Death of Hassan /p (Grenville Mellen), 217 ["The hour is past--the glory/ "A turban carved in coarsest stone."]
1834    Angel of the Leaves, The (Hannah F. Gould), 224 ["Alas! alas!" said the sorrowing tree, "my beautiful robe is gone!]
1834    Wedding and the First Cup, The (Grenville Mellen), 228 [Francis Hayford was a young fellow, very like, in the matters of external appearance,...]
1834    Remembered Music /p (R. C. Ellwood), 240 [It is the song she used to sing,/ Sweet Mary, I am here!]
1834    Fall of Nineveh (John Martin; William Keenan), 241 smpl
1834    Fall of Nineveh, The /p (Thomas Gray, jr), 241 ['Twas even tide.  Upon the balmy air,/ And smitten are the guilty.]
1834    Wachuset /p ([John O. Sargent]; V. V. Ellis), 244 [Wachuset! on thy cloud-capp'd brow I stand,/ Till thy proud summit crumbles to the sea!]
1834    Lines /p (J. H. Mifflin), 245 [I pass'd one gorgeous evening,/ She bounded by me last.]
1834    Pocahontas /p (Hannah F. Gould), 247 [Behold the proud chieftain, whose Indian brow/ "Rebecca, a daughter of God!"]
1834    Sea Shell, The /p (W. T. Eldon), 250 ['Tis the hot noon, and pillow'd clouds are stooping/ From drams like these, to weariness and pain!]
1834    Musing in the Shady Grove (J. Pierpont), 252 [To every man, however faithful he may be in discharging the active duties of life,...]
1834    Song of the Wintry Wind, The /p (Frederic Mellen), 262 ["Adieu! adieu!" thus the storm spirit sang,/ But the wintry wind and its song were gone.]
1834    Portrait, The (I. W. Wright; Illman & Pilbrow), 265 [missing in my copy]
1834    To a Lady, About to Sit for Her Portrait /p (J. H. Mifflin), 265 [She stands beneath the evening skies,/ So I were mourn'd by thee.]
1834    Modern Job, The, 269 [Mr. James Evelyn was a prosperous man.]
1834    Song /p (M. M. B.), 320 [Oh, come to the beach, the cool, cool strand!/ I hie to the sultry town with thee.]
1834    Peasant Girl (Rembrandt; Joseph Ives Pease), 321 ["Girl at the Window," 1645] smpl
1834    Peasant Girl, The /p (W.), 321 [Sweet daughter of content!/ A happy peasant child!]
1834    Ruth /p, 322 [She clasps Naomi's neck and sighs,/ And tell that heaven and life are near!"]
1834    Dreams of Fame /p, 324 ['Tis strange, how quickly they depart!/ Without the meed of fame.]
1834    Sonnet, Written on Waking at Sea /p (E. R. Lascelles), 326 [How changed the scene! our parting gaze last night,/ Thus sending up their morning's hymn of praise!]
1834    Young Harlequin, The (J. Baptist; John B. Neagle), 327 smpl
1834    Return, The ([Frances E. I. Calderon de la Barca]; F. E. I.), 327 [The dark and lonely valley of Einterfeldt is traversed by the lordly Rhine,...]
1834    To Jane /p (Florence), 336 [The wild dove, to the garden spring,/ As the wild bird's in woodland nest.]
1834    Scene on the Kentucky /p (Lacy D. Orne), 337 [Swift as a moving shadow,/ He looks upon his goal.]
1834    Rebecca & Ivanhoe (; Illman & Pilbrow), 339 [missing in my copy]
1834    Rebecca and Ivanhoe /p (Grenville Mellen), 339 [The light of life was on his cheek again,/ For Jewry's noble daughter.]
1834    Anecdote, 344 [Some visiters to the Falls of Niagara, found an Indian standing on a rock above the cataract.]
1834    Indian Dirge, An /p (I. Mclellan, jr), 345 [Raise the wail of Indian woe,/ Hunts the herds of browsing deer.]
1834    Voice of Thunder, The /p (Grenville Mellen), 346 [Voice from the deep of air!/ The deep fount of our souls!]
1834    Thoughts on the Closing Year, 347 [Whatever may be said against the doctrine of Pope's Essay on Man, that God is the soul of nature,...]

                      ==========

The Token and Atlantic Souvenir, for 1835.  Boston:  Charles Bowen, 1834.

1835    presentation plate (Harvey; Edward Gallaudet) [missing in my copy]
1835    lovers (A. Colin; Edward Gallaudet), title page smpl [reprinted in The Moss Rose, for 1847 (NY:  Nafis & Cornish, 1847) & The Flower Basket]
1835    To F. /p, 5 [The spring, the summer, they are flown; away/ And take this book--a semblance of thyself.]
1835    St. Catharine's Eve (Catharine Maria Sedgwick), 7 [Early in the 13th century Agnes de Meran, the mistress-wife of Philip Augustus, held her court at the Chateau des roses Sur-Seine, not many leagues from Paris.]
1835    Bourbon's Last March; Halt at Riccia (Robert W. Weir; James Smillie), 37 [appears in The Outcast, & Other Poems, Samuel G. Goodrich; reprinted in the Bliss album as "The Crusaders"] smpl
1835    Bourbon's Last March (G. C. Verplanck), 37 [My friend Weir was at work upon a very pleasing landscape of a picturesque scene not far from Rome,...]
1835    Will You Go (A. Fisher; J. B. Neagle), 61 smpl [reprinted in the Bliss album]
1835    Will You Go? /p, 61 [Will you go, my boy?  The morning is bright,/ And go with my pony to play with the wind.]
1835    Rival Bubbles, The /p (Samuel G. Goodrich), 62 [Two bubbles on a mountain stream,/ The rival bubbles burst forever!]
1835    Good Night /p (Korner), 64 [Good night!/ To the weary, slumbers light.// Good night!--Good night!]
1835    Youth of Mary Stuart, The ([Henry Wadsworth Longfellow]; L.), 65 [There probably is not a name in all history, which awakens an interest at once to deep and so universal as that of Mary Stuart.]
1835    Haunted Mind, The ([Nathaniel Hawthorne]), 76 [What a singular moment is the first one, when you have hardly begun to recollect yourself,...]
1835    Mountain Stream, The (T. Doughty; J. B. Neagle), 83 smpl [reprinted in Youth's Keepsake, 1869]
1835    Mountain Stream, The /p (B. B. Thatcher), 83 [Lo!  Morning, o'er the misty hills,/ Shall blaze the sunrise of the soul!]
1835    Alice Doane's Appeal ([Nathaniel Hawthorne]; author/ Gentle Boy), 84 [On a pleasant afternoon of June, it was my good fortune to be the companion of two young ladies in a walk.]
1835    Consolation /p ([John O. Sargent]; Lawrence Manners), 82 [They have faded one by one, the visions of my youth,/ The loss of one but teaches him to make another do!]
1835    Mameluke, The (Gericault; J. B. Neagle), 103 smpl [reprinted in the Bliss album]
1835    Mameluke, The /p (Grenville Mellen), 103 [They die about his path--his scimitar/ Pass with its bubbling stream.]
1835    Mermaid, The; A Reverie ([Nathaniel Hawthorne]), 106 [Come! another log upon the hearth.]
1835    Bride, The, 124 [Count Rimini had, at length, arrived at the period which, for several years, he had been fondly anticipating.]
1835    Lady Lake /p ([John O. Sargent]), 158 [No verse before hath sung thee.  Thou art gleaming,/ Nor this fair vision fade upoon my eye!]
1835    Silver Cascade in the White Mountains, The (T. Doughty; George B. Ellis), 159 smpl [reprinted in the Bliss album]
1835    Silver Cascade in the White Mountains, The /p ([Samuel G. Goodrich]), 159 [How beautiful yon glittering tide, as down/ My soul shall take thee in its way to heaven.]
1835    Cobbler of Brusa, The, 162 [In the reign of Bajazet the First, there lived in Brusa, that city being then the capital of the Turkish Empire,...]
1835    Bird of the Bastile, The /p (B. B. Thatcher), 174 [Come to my breast, thou lone/ And the long woe throbs lingering to its close.]
1835    Fort Mystick (Lydia H. Sigourney), 177 [The infancy of Connecticut was replet with peril.]
1835    Wreck, The /p ([Samuel G. Goodrich]), 212 ['T was night--upon a rock I stood--/ Shall dance as reckless as the wave!]
1835    Dream of Youth, The (Guerin; Cheney), 213 smpl
1835    Dream of Youth, The /p ([Samuel G. Goodrich]), 213 [In days of yore, while yet the world was new,/ Time, with his ready scythe stands listening by.]
1835    Reading Parties, The (Eliza Leslie), 216 [Mr. Milstead, a clergyman, who to the most sincere piety united a cultivated mind,...]
1835    Job Fustick; or, The Dyers /p (Grenville Mellen), 246 [Job Fustick was the very merriest dog/ That he was dead.]
1835    Sonnet /p (A. D. Woodbridge), 253 [And thou wert Ireland's martyr!  Thou the fond,/ Were dear to thee, still dearer, till the last.]
1835    Tears /p (L.), 256 [Oh! give me not unmeaning smiles,/ As humming birds are shot with water.]
1835    Young Princess, The (; Cheney), 257 smpl
1835    Fate of a Princess, The, 257 [The numberous lamps which illuminated the road heading from St. Petersburgh to the magnificent palace of Czarsko-zelo,...]
1835    Children--What are They? (J. Neal), 280 [The child is father of the man.]
1835    Old Elm of Newbury, The /p (Hannah F. Gould), 299 [Did it ever come in your way, to pass/ The veteran Elm of Newbury]
1835    Legend of the Prairies, A (author/ Harpe's Head), 363 [I suppose that the intelligent readers of the Token, would be delighted to hear something about those beautiful prairies,...]
1835    Cottage Girl, The (Edwin Landseer; Cheney), 319 smpl [reprinted as "Industry" in the Leavitte & Allen version of the Token, which see below; also appears in The Consul's Daughter, 1841]
1835    Cottage Girl, The /p ([John O. Sargent]; V. V. Ellis), 319 [She is a lovely creature--is she not?/ In simplest hearts her holiest aspirations.]
1835    Sonnet /p ([John O. Sargent]), 321 [Farewell!  I leave thee in a happy home,/ Of a true heart make all thy pathway bright!]
1835    Broken Merchant, The (Sarah Josepha Hale), 322 ["Are you ill, Charles?" said Mrs. Carlton, laying down her pencil:  she had been sketching.]
1835    Monody /p (Lydia H. Sigourney), 343 [Few have been mourn'd like thee.  The wise and good,/ Doth poise forever, on her perfect wing!]
1835    Field of Brandywine, The (William L. Stone), 346 [Leaving the "city of brotherly love" on the afternoon of a beautiful day,...]
1835    Duties of Winter (F. W. P. Greenwood), 359 [As each age of our life has duties belonging to it, which are in a measure peculiar to itself;...]
1835    Buffalo Hunt, The (A. Fisher; W. E. Tucker), 367 smpl [reprinted in the Bliss album]
1835    Buffalo Hunt, The, 367 [The surprises that await the traveller over these prairies, are like those of the ocean, to a landsman on his first voyage.]
1835    Days That are Past, The /p ([Epes Sargent]; E. S.), 368 [We will not deplore them, the days that are past;/ Let us look to the future and not to the past!]
1835    To a Lady; Who Called Me Capricious /p ([John O. Sargent]), 369 [Capricious truly?  As the gleams/ Ties that must bind my soul forever!]
1835    To E. /p (A. A. L.), 370 ['Tis true, I've worshipp'd o'er and o'er/ Lies in similitude alone.]
1835    My Child!  My Child! (H. Dawe; Thomas Illman), 371 smpl [reprinted in the Bliss album]
1835    Changes on the Deep /p (Hannah F. Gould), 371 [A gallant ship! and trim and tight,/ And angels sing, "They're saved! they're saves!"]
1835    They're Saved!  They're Saved! (H. Dawe; Thomas Illman), 374 smpl [reprinted in the Bliss album]
1835    Departed Tribes, The /p (I. McLellan, jr.), 376 [They're fading, they're fading/ Around them wide is thrown.]

                      ==========

The Token, for 1836.  Boston:  Charles Bowen, 1835. extracts online

1836    presentation plate (George L. Brown; Edward Gallaudet) smpl
1836    Panther Scene, The (George L. Brown; Joseph Andrews), frontispiece smpl
1836    maiden's portrait (Francis Alexander; John Cheney), title page [appears in The Outcast, & Other Poems, Samuel G. Goodrich]smpl
1836    To *** /p, 9 [It is not for thine ample curls,/ May go to Helicon for aid.]
1836    New Year's Day (Catharine Maria Sedgwick), 11 ["I wish I could find a solution for one mystery," said Mary Moore...]
1836    Anna's Picture /p (Florence), 32 ['Tis but a pencil sketch, yet lovely still,/ And Memory preserves it beautiful!]
1836    Fair Pilgrim, The (George L. Brown; Vistus Balch), 33 smpl
1836    Fair Pilgrim, The (William L. Stone), 33 ["Verily the sweet Psalmist of Israel hath spoken truly:...]
1836    Spring /p (J. G. Percival), 53 [Low breathed the western wind at close of day;/ As o'er the lake I skim along.]
1836    Bride, The /p (Lydia Sigourney), 55 [I came, but she was gone./ Or mar the journey of the soul to Heaven.]
1836    I will Forget Thee /p (B. B. Thatcher), 57 [I will forget thee;--veteran soldiers said/ With a fine frenzy of philosophy--and forget thee!]
1836    To One I Love /p, 59 [The boat lay anchored to the shore,/ May faith secure thy gentle heart!]
1836    Perils on the Deep /p (A. D. Woodbridge), 60 [Night, night upon the waters!  O'er the deep,/ Father! we 'll trust in thee, whatever may betide.]
1836    Panther Scene, The (George L. Brown; Joseph Andrews), 61 [listed in contents, but not placed here] smpl
1836    Panther Scene, The ([James Fenimore Cooper]), 61 [The panther, now so rare in the settled parts of our country, was formerly very common,...]
1836    First Frost of Autumn, The /p (Samuel G. Goodrich), 68 [At evening it rose in the hollow glade,/ And the hidden revel was gaily told!]
1836    Wealth and Fashion, 71 ["What a pity it is," said Caroline, throwing aside her book, "we are born under a republican government!"]
1836    Euthanasia /p (C. C.), 104 [Spirit all beautiful and blest!/ Thy name upon our lips shall never die.]
1836    Dante's Beatrice/ Beatrice (Washington Allston; John Cheney), 105 [appears in The Outcast, & Other Poems, Samuel G. Goodrich]smpl
1836    Dante's Beatrice ([Elizabeth M. Sewell] author/ "The Affianced One"), 105 [A title to immortal fame is usually acquired by women at a dangerous expense.]
1836    Wedding Knell, The ([Nathaniel Hawthorne] author "Sights from a Steeple"), 113 [There is a certain church in the city of New York, which I have always regarded...]
1836    To a Lady /p (R.), 124 [Thy silver clasp--with all its flowers/ To one so like itself--to you.]
1836    Life beyond the Mountains, 125 [Many works have been issued from the press with at least part of this title.]
1836    Magic Spinning Wheel, The (J. K. Paulding), 129 [It is a generally received opinion among superficial people, that none of the little beings,...]
1836    Wreck at Sea, The (J. Birch/ Thomas Birch; John B. Neagle), 151 smpl
1836    Wreck at Sea, The /p (H. F. Gould), 151 [The struggle is over!  The storm-cloud, at last,/ Of these clasping hands on the wild, deep sea!]
1836    To **** /p, 153 [Fair daughter of the sunny-cinctured South!/ All joy that friend could wish, or poet sing thee.]
1836    Painter Boy, The /p ([Hannah F. Gould]), 154 [The Painter Boy walked on the pebbly strand;/ Is the Painter Boy's leading star!]
1836    Indian Weed Sprite, The /p ([Samuel G. Goodrich]), 155 [In the golden zones of the laughing earth,/ And shedding their fragrance, at last expire.]
1836    Young Phrenologist, The (John Neal), 156 [The mysterious veil has been lifted!]
1836    Gratitude /p ([Samuel G. Goodrich]), 170 [Go gather ye grapes of the barren thorn--/ The storm being over--to vote him a bore.]
1836    Young Mother, The /p (Lydia Sigourney), 171 [There lay upon its mother's knee,/ Than Hope or Memory knew.]
1836    Horrors of a Head Dress, 172 [I am exceedingly sensitive.]
1836    Lost Wager, The /p ("A Bachelor"), 186 [Forgive me, lady--pray, forgive me, lady,/ Shall ever be accused of having haunted!]
1836    Spirit of Poesy, The (William Croome; John B. Neagle), 187 smpl
1836    Spirit of Poesy, The /p (I. McLellan, jr), 187 [Spirit of Song! by rolling flood/ The sacred tear to shed!]
1836    Pilgrimage to the White Mountains, A (Grenville Mellen), 190 [Days of excellent memory, and beautiful recollections!]
1836    Wandering Pole, The /p (Hannah F. Gould), 218 [A wanderer over a stranger land,/ That spoke from the eye of the Wandering Pole.]
1836    Conquerors of Spain, The /p (Lydia H. Sigourney), 221 [Why choose ye out such dizzy height/ Of Andes' stormy wrath.]
1836    Three Sceptres, The /p (Sarah Josepha Hale), 224 ["Bring forth the sceptres of command!"--/ Were linking earth and sky.]
1836    Youth Recalled /p (J. G. Percival), 227 [In deepest shade, by fountain sparkling clear,/ Only the bubbling fountain murmurs near.]
1836    Emigrant's Adventure, The (Alvan Fisher; George B. Ellis), 229 smpl
1836    Emigrant's Adventure, The (Sarah Josepha Hale), 229 ["What a romantic spot for any one who admires sweet solitude!" exclaimed Mrs. Hubbard,...]
1836    Last of the Household, The /p (Grenville Mellen), 234 [She was the last--and as she sunk and faded,/ She bow'd--and died!]
1836    Blanche and Isabel (Hannah F. Gould), 237 [William, a French nobleman, and a descendant of the house of Tancrede,...]
1836    Muse and the Album, The /p (J. L. Gray), 270 [Dear Laura, I've had such a time--/ If she remain inexorable?]
1836    Vision, A /p (J. G. Percival), 276 ["Whence dost thou come to me,/ Sweetly again I will steal to thy soul!"]
1836    I'll Think of That (Samuel Stillman Osgood; Edward Gallaudet), 277 smpl
1836    I'll think of That /p (Grenville Mellen), 277 ["I'll think of that"--now if you look/ I'll think, sir--I'll still "think of that!"]
1836    Life; its Seasons /p (C. W. Everett), 281 [Life hath its Spring-time! childhood's morn,/ The sun hath set--the Seasons run!]
1836    May Pole of Merry Mount, The ([Nathaniel Hawthorne] author/ "Gentle Boy"), 283 [Bright were the days at Merry Mount, when the May-Pole was the banner-staff...]
1836    Early Days /p (I. McLellan), 298 [I remember, I remember/ The memory with joy.]
1836    Fountain Eyes, The /p (B. B. Thatcher), 300 [Those fountain eyes! those fountain eyes!/ Dear lady, the light of the fountain eyes!]
1836    Pilot Boy, The (George L. Brown; Seth Wells Cheney), 301 smpl
1836    Pilot Boy, The /p, 301 [Each day he wandered--'t was his wont--/ For one so bright, so blest,--no more.]
1836    Minister's Black Veil, The ([Nathaniel Hawthorne] author/ "Sights from a Steeple"), 302 [The sexton stood in the porch of Milford meeting-house, pulling lustily at the bell-rope.]
1836    I Love you, Flowers /p (J. H. Mifflin), 320 [I love you, flowers--I love, you flowers,/ Is transient as her doom!]
1836    Hunters of the Prairie (J. Doughty; George B. Ellis), 321 smpl
1836    Hunters of the Prairie ([Samuel G. Goodrich]), 321 [The night had covered the earth with a thin robe of slow.]
1836    Constance Allerton (Eliza Leslie), 323 [Mr. Allerton, a merchant of Philadelphia, had for some years been doing business to considerable advantage,...]
1836    Spy, The (Robert Walter Weir; James Smillie), 359 smpl
1836    Spy, The, 359 [We know not that this picture can be better illustrated than by a brief description, and a briefer anecdote.]

                      ==========

The Token, for 1837.  Boston:  Charles Bowen, 1836.

1837    presentation plate (George L. Brown; Charles A. Jewett) smpl
1837    Annette Delarbre (W. W. West [William Edward West?]; Joseph Andrews), frontispiece smpl
1837    Native-American maiden gazing across water (John G. Chapman; Edward Gallaudet), title page smpl
1837    Rainbow, The /p (R. C. Waterston), 2 [The Indian from his hunting ground,/ He lifts his free born soul to Heaven in prayer!]
1837    Katrina Schuyler (W. W. West/ William Edward West; Joseph Andrews), 11 smpl [reprinted as "The Village Bride," in Youth's Keepsake, 1869]
1837    Katrina Schuyler (Theodore S. Fay; author/ Norman Leslie), 11 ["He loves thee not, Kate."]
1837    Lost Vision, The /p, 34 [Nay, lady, nay!  I may not string,/ Cling, dying, to your shattered wreck!]
1837    Two Shades, The /p (Samuel G. Goodrich), 36 [Along that gloomy river's brim,/ The slaves that to my sceptre bend."]
1837    To ***** /p (J. H. Mifflin), 42 [Not in the lighted halls of social mirth,/ And gently lead me to that world of thine!]
1837    Lost, Found, The (Charles Robert Leslie; John Cheney), 43 [illus of scene from Tristram Shandy] smpl
1837    Leslie's Picture, 43 [The artist has selected for the exercise of his inimitable pencil,...]
1837    Gift of Flowers, The /p ([Epes Sargent]; E. S.), 45 [O, could these drooping flowers--/ A fix'd star, which no cloud can hide!]
1837    To a Nameless One /p ([Epes Sargent]), 46 [Lady, we never met before/ The fairer of the two!]
1837    Monsieur du Miroir ([Nathaniel Hawthorne]; author/ Sights from a Steeple), 49 [Than the gentleman above-named, there is nobody, in the whole circle of my acquaintance,...]
1837    Whirlwind, The (Thomas Cole; Edward Gallaudet), 65 ["A Tornado in the Wilderness," 1833? per Ellwood Parry, Art of Thomas Cole] smpl
1837    Whirlwind, The /p, 65 [On conqueror, with thy trampling tread!/ Alone shall be thy funeral wail.]
1837    Mrs. Bullfrog ([Nathaniel Hawthorne]; author/ Wives of the Dead), 66 [It makes me melancholy to see how like fools some very sensible people act,...]
1837    Communion with Nature /p (Sarah H. Whitman), 76 [Farewell sweet, bowery summer--fare thee well--/ Which aid the doubting soul its heavenward course to keep!]
1837    Tale, A (Miss Wheaton), 80 [There lived in Cologne, in the year 1571, a rich burgomaster, whose wife Wanda sickened and died.]
1837    Sunday at Home ([Nathaniel Hawthorne]; author/ Gentle Boy), 88 [Every Sabbath morning, in the summer time, I thrust back the curtain, to watch the sunrise...]
1837    I Went to Gather Flowers (George L. Brown; Vistus Balch), 97 smpl
1837    I Went to Gather Flowers /p, 97 ['T was morn--I went to gather flowers--/ And leave me, there, alone--alone!]
1837    Tiara, The (author/ Wealth & Fashion), 98 [To an American in Paris, no resort can be more delightful than the gardens of the Tuilleries...]
1837    Youth /p (A. R.), 116 [The morning was bright,/ With me thou shalt find an Immortal Spring.]
1837    Man of Adamant, The ([Nathaniel Hawthorne]; author/ Gentle Boy), 119 [In the old times of religious gloom and intolerance, lived Richard Digby,...]
1837    Annette Delarbre (W. W. West [William Edward West?]; Joseph Andrews), 129 [listed in contents, but not placed here] smpl
1837    Annette Delarbre, 129 [Annette Delarbre, as the reader will recollect, is the heroine of a tender little love tale in Bracebridge Hall.]
1837    Study and Observation of Nature, 137 [We all know, and some of us have experienced, that there is a time when life no longer appears to us under those false...]
1837    Genius of Poetry (author/ Life Beyond the Mountains), 142 [The Genius of poetry delights to fix her residence among scenes cultivated only by the hand of the Creator...]
1837    Mother, The (Washington Allston; Seth Wells Cheney), 145 smpl
1837    Mother's Jewel, The /p (Hannah F. Gould), 145 [Jewel most precious thy mother to deck,/ Yea, "for of such is the kingdom of Heaven!"]
1837    David Swan ([Nathaniel Hawthorne]), 147 [We can be but partially acquainted even with the events which actually influence our course through life, and our final destiny.]
1837    Father, Hear! /p ([Hannah F. Gould]), 155 [Thou, whose power assumes the form,/ Guide her; save her!  Father, hear!]
1837    Great Carbuncle, The ([Nathaniel Hawthorne]), 156 [At night fall, once, in the olden time, on the rugged side of one of the Crystal Hills,...]
1837    Name in the Sand, A /p (Hannah F. Gould), 176 [Alone I walked the ocean strand./ For glory, or for shame.]
1837    Fancy's Show Box ([Nathaniel Hawthorne]), 177 [What is Guilt?  A stain upon the soul.]
1837    Indian Toilet/Indian Toilette (John G. Chapman; John B. Neagle), 185 smpl
1837    Indian Toilet, The /p (Hannah F. Gould), 185 [Her young form looked bright/ The green leaves, or feathers in her raven hair.]
1837    All is Not Gold that Glitters (J. Inman), 188 [Once upon a time--there is something respectable and honest in that old-fashioned way of beginning a story...]
1837    Ancient Family Clock, The /p (Lydia H. Sigourney), 208 [So, here thou art, old friend,/ Make peace!--make peace with Him, who rules above the storm.]
1837    Full Thirty (Catharine Maria Sedgwick), 212 [The first visit I paid after coming to town this winter,...; on the New York City fire of 1836]
1837    To the American Flag /p (I. C. Pray, jr), 247 [Hail!  Standard of the free and bold:/ A beacon-star in the battle-storm!]
1837    Dying Phoenix, The /p (Hannah F. Gould), 249 [I've lived long enough!  In my grandeur alone,/ My life mounts the cloud rolling off to the skies!]
1837    Word at Parting, A /p, 251 [How can I say farewell to thee--/ I cannot say farewell!]
1837    Song, A /p ([John O. Sargent]; C. Sherry), 254 [Come, Lily, dispense with that soul-chilling glance,/ Shall we dim a bright heaven with clouds of our own?]
1837    Pleasant Thoughts (Francis Alexander; Jarvis Griggs Kellogg), 255 smpl
1837    To a Child /p (R. C. Waterston), 255 [All your thoughts are of gladness,/ To gain thy blessing, than bestow my own.]
1837    Old Farm House, The (Eliza Leslie), 257 [Edward Lindsay had recently returned from Europe, where a long series of years passed in the successful prosecution...]
1837    Student's Rhapsody, The /p (H. Greele), 285 [Teach me the language of the flowers,/ Be thou that gentle flower!]
1837    Stanzas in Return for a Ring /p, 287 ["Forget me not!"--Ah words of useless warning/ I'll not forget--my sister, friend, farewell!]
1837    Prophetic Pictures, The ([Nathaniel Hawthorne]), 289 ["But this painter!" cried Walter Ludlow, with animation.]
1837    Lean Old Man, The /p (Seba Smith), 308 [I fell asleep; and my chainless soul/ And thy race, O Time, is run."]
1837    Death of an Infant /p (Lydia H. Sigourney), 311 ["He slumbers long, sweet Mother,/ To swell that glorious train."]
1837    Lines /p (R. C. Waterston), 314 [Not all the beauties of this joyous earth,--/ And yearn to gain a sphere of holier joy and love.]
1837    Wrecked Mariner, The (Thomas Birch; John B. Neagle), 315 smpl
1837    Prophecy of Uiquera (author/ The Southwest & Lafitte), 315 [The life and times of Charles of England, the gayest and most gallant monarch, since the days of that oriental potentate,...]
1837    Song of the Sunbeam /p (E. O. S.), 332 ['Twas a rich warm ray, a sunbeam bright,/ Then slowly sank to its place of rest.]
1837    Martyr's Thirst, The /p (B. B. Thatcher), 334 ["I thirst, I thirst," he cried, "to know/ Where he and they will thirst no more!]
1837    Roman Aqueduct/ Aqueduct Near Rome (Thomas Cole; James Smillie), 337 smpl
1837    Roman/Claudian Aqueduct, The /p (Oliver Wendell Holmes), 337 [The sun-browned girl whose limbs recline/ Falls on the arches of her pride!]
1837    Deserted Church, The /p (I. McLellan, jr), 339 [The twilight's evanescent stain/ Of the bleak breeze that moaned around!]
1837    Rose Color, The /p, 341 [The Rose Color came from the Sun, her home,/ As it glowed on the rose, to the sun she flew.]
1837    Eternity /p (J. H. Clinch), 343 [Thoughts may arise too mighty and intense/ The blessed words "well done--your master's glory share!"]
1837    War Song /p (Lomonosor), 346 [On, warriors! like a ship at sea,/ Still be "for death or victory!"]
1837    Autumn Leaf, The /p (S. P. Walker), 347 [What trembling falls from yonder bough/ Yet bids us think of Spring's coming bloom.]

                      ==========

The Token, and Atlantic Souvenir, for 1838.  Boston:  American Stationers' Co., 1837.
[Reprinted, with different engravings, as The Token; or, Affection's Gift.  (Hartford, CT:  S. Andrus & Co., nd)]

1838    presentation plate (John G. Chapman; Joseph Alexander Adams) [American Stationers' edition] smpl [also used in 1839 volume; see below]
1838    rose, frontispiece [Andrus edition; color lithograph] smpl
1838    Expected Canoe, The (John G. Chapman; Joseph Andrews & Charles A. Jewett), frontispiece [American Stationers' edition] smpl
1838    vignette of 2 putti carving a pumpkin (John G. Chapman; Edward Gallaudet), title page [American Stationers' edition] smpl
1838    Wonders of the Deep, The (J. Pierpont), 9 [I have often thought, that what Corporal Trim is made to say of a solider,...]
1838    Music on the Waters /p, 21 [Hark! while our ship is swinging/ All sense in the one!]
1838    Sylph Etherege ([Nathaniel Hawthorne]), 22 [On a bright summer evening, two persons stood among the shrubbery of a garden,...]
1838    Only Daughter, The (Gilbert Stewart Newton; Joseph Andrews), 33 [American Stationers' edition] smpl
1838    Only Daughter, The /p (Oliver Wendell Holmes), 33 [They bid me strike the idle strings,/ May cost thee, too, a sigh.]
1838    Wrath of Peter Stuyvesant (Asher B. Durand; John William Casilear), 37 [Andrus edition; "Peter Stuyvesant and the Trumpeter," 1835] smpl
1838    Peter Goldthwait's Treasure ([Nathaniel Hawthorne]; author/ Twice-Told Tales), 37 ["And so, Peter, you won't even consider of the business?" said Mr. John Brown,...]
1838    Caged Lion, The /p (Hannah F. Gould), 66 [Lion, like a captive king,/ Bonds, to both, but lingering death!]
1838    Endicott and the Red Cross ([Nathaniel Hawthorne]), 69 [At noon of an autumnal day, more than two centuries ago, the English colors were displayed by the standard-bearer of the Salem trainband,...]
1838    Expected Canoe, The (John G. Chapman; Joseph Andrews & Charles A. Jewett), 79 [American Stationers' edition; listed in contents, but not placed here] smpl
1838    Light Canoe, The /p (E. S.), 79 [Beside Missouri's swelling waves/ Stiff in his light canoe!]
1838    Night Sketches ([Nathaniel Hawthorne]), 81 [Pleasant is a rainy winter's day, within doors!]
1838    Old Elm of Boston, The /p (Hannah F. Gould), 90 [I come before thee, old majestic Tree,/ That she may bring me a returning token.]
1838    Tale of Humble Life, A (author/ The Blind Boy), 96 [Jane Cavendish was an orphan, who had been left destitute at the age of ten, with a brother two years younger.]
1838    To S. D. /p (E. S.), 114 [Not for thy Phidian shape, O lady fair!/ Smooth seas, blue skies, and prospering gales befall thee!]
1838    Token, The (John G. Chapman; Charles A. Jewett), 115 [American Stationers' edition] smpl
1838    Token, The /p (E. Sargent), 115 ["Brave son of a Chieftain! beloved Cherokee!/ Was sped from the bow of the young Cherokee.]
1838    Shaker Bridal, The ([Nathaniel Hawthorne]; author/ Twice-told Tales), 117 [One day, in the sick chamber of Father Ephraim, who had been forty years the presiding elder over the Shaker settlement at Goshen,...]
1838    Come Hither, Bright Bird /p (Hannah F. Gould), 126 [Come hither, bright bird, from thy wild native bower,/ Her rivals that bloom in thy far-away bower!]
1838    Autumn Walk, An /p ([Sarah H. Whitman]), 128 [Another warm, soft, glowing, autumn day/ To cheerful thoughts through nature's sweet control.]
1838    Sun Set on the Hudson (Robert Walter Weir; John A. Rolph), 133 [Andrus edition] smpl
1838    Spring and Autumn /p (J. H. Clinch), 133 [Balmy and soft are gales of Spring,/ And crown with fairer gifts her brow in future days.]
1838    Xeri, or A Day in Batavia (Weisflog; trans/ Nathaniel Greene), 136 ["If, after two o'clock, the jailer arrive with the inquisitors of Hermsdorf, you will awaken me,...]
1838    Violet Fane /p ("A Lady"), 158 ["Violet!"--he softly whispered,--"Violet, dear!"/ And sank upon the corse of Violet Fane.]
1838    Chingford Church (George L. Brown; James Smillie), 159 [Andrus edition; American Stationers' edition] smpl
1838    Chingford Church /p ([Samuel G. Goodrich]), 159 [By the London road, not far from town,/ And come no more but in visions of night.]
1838    That Piece of Song /p (R. C. Waterston), 161 [Thank Heaven, my spirit yet retains/ As the parched flower drinks of the silver rain.]
1838    Voice of Nature, The /p (Mary E. Lee), 162 [It was the holy evening hour,/ The same deep whisper,--God!]
1838    Our Village Post-Office (Catharine Maria Sedgwick), 164 [The master of our village post-office for many years past was an old man;...]
1838    Day Departs, The /p (M. E. Lee), 185 [The day departs, and, softly gleaming,/ Where all is love.]
1838    Young American on the Alps (George Peter Alexander Healy; George Hewitt Cushman), 187 [Andrus edition; American Stationers' edition] smpl
1838    Alps, The /p (R. C. Waterston), 187 [Alps above Alps around me rise,/ My own New England home, my native land, for me!]
1838    Deluge, The /p (H. Ware, jr), 189 [I sing the story of the ancient Ark,/ While o'er them circles Mercy's radiant Arc.]
1838    Jaques le Laid (author/ Wealth & Fashion), 190 [There are few more picturesque tours than through Canada, embarking at Kingston in a bateau, and sweeping down the rapids.]
1838    Soft Summer Rain, The /p (M. E. Lee), 208 [From hill and from valley/ In the soft summer rain.]
1838    Spring (F. W. P. Greenwood), 210 [The name of the season in which the sun returns to us from his cold recess,...]
1838    Autumn /p (Lydia H. Sigourney), 216 ["Has it come, the time to fade?"--/ The Autumn of thy days."]
1838    Trailing Arbutus, The /p ([Sarah H. Whitman]; Egeria), 218 [There's a flower that grows by the greenwood tree,/ And to fold my wings in that greenwood glen!]
1838    Dead Oak, The /p (Sarah Josepha Hale), 222 [Why should the forest monarch die,/ And none will mourn its fall."]
1838    To Scotland /p (R. C. Waterston), 224 [Land of my fathers! in my heart/ I ever loved thee much, and much I love thee still.]
1838    Last of His Tribe, The (George L. Brown; George B. Ellis), 227 [American Stationers' edition] smpl
1838    Last of His Tribe, The /p (E. S.), 227 [A sunny slope upon a mountain's side!/ Who remains to mourn?]
1838    Monomaniac, The, 230 [The passions and propensities of our nature seem to require a balance so exact,...]
1838    Dramatic Scene /p (Victor Hugo & [John O. Sargent]; Charles Sherry), 238 [Josepha!/ I'll follow you.]
1838    Passing Away" /p (J. Pierpont), 245 [Was it the chime of a tiny bell,/ "Passing away! passing away!"]
1838    Comparisons /p (J. H. Clinch), 248 [Soft and fair the flush of morn,/ Soon to rise to brighter day.]
1838    Moslem Worship /p (J. Pierpont), 250 [This is a very pleasant sight,--/ "Hail! rising Star of Bethlehem, hail!"]
1838    Written Beneath a Youthful Portrait of Byron /p, 262 [And such was Byron!  On this youthful brow/ How dark the gloom that drinks the meteor's light!]
1838    Fragment, A /p, 262 [Our hoar, primeval forests!  The old trunks,/ Or break the sacredness of solitude.]
1838    Fairies in America, The (John G. Chapman; James Smillie), 263 smpl
1838    Fairies' Visit to America, The /p (Grenville Mellen), 263 ['T was in our Fathers' time,--/ Bright Fairies wave him onward through the sky!]
1838    Love Marriage, The (Sarah Josepha Hale), 268 ["Dear, dear Henry! how glad I am to see you.]
1838    Stanzas Presented to a Bride, on the Morning of Her Marriage /p (Grenville Mellen), 288 [Beautiful bride! 't is thine/ Radiant and warm as now!]
1838    Fireside, The /p, 290 ["What gift have you brought to our own fireside?"/ And was heard before the Throne.]
1838    To-morrow /p, 292 [To-morrow will these glowing skies/ Were there no brighter, better morrow?]
1838    Martha Washington (John Woolaston; John Cheney), 293 [American Stationers' edition] smpl
1838    Martha Washington (Lydia H. Sigourney), 293 [The state of society in Virginia, a century since, was unique and imposing.]
1838    Fairies' Trip, The /p (H. Hastings Weld), 307 ['T was such a night as fairies love;/ Ranges Manhattan with Santa Claus.]

                      ==========

The Token, and Atlantic Souvenir, for 1839  Boston:  Otis, Broaders, & Co., 1838.

1839    presentation plate (John G. Chapman; Joseph Alexander Adams) smpl [also used in 1838 volume; see above]
1839    Indian man & girl (John G. Chapman; Joseph Alexander Adams), title page smpl [reprinted to illustrate "The Indian's Story," in Robert Merry's Museum, 1850]
1839    Friar Puck (John G. Chapman; John Francis Eugene Prudhomme), frontis [missing in my copy]
1839    White Scarf, The (Catharine Maria Sedgwick), 1 [The reign of Charles the Sixth is one of the most humiliating periods of the French history,...]
1839    Strawberry Girl, The, 62 [The engraving which is here presented under the above title has already been given to the public,...]
1839    Strawberries! (John G. Chapman; Joseph Alexander Adams), 62 smpl [reprinted from New York Mirror]
1839    Rebel of the Cevennes, The (author/ Miriam), 63 [It was in the year 1703, while Louis the Fourteenth was engaged in hostilities with foreign powers,...]
1839    On Carlo Dolce's Magdalen /p (Sarah H. Whitman), 86 [Thou fairest penitent!  How pure the light,/ And the lone heart of love in heaven its home of rest.]
1839    Looking Through the Mist (author/ Wealth & Fashion), 88 [It is a very common thing to wonder, perhaps it might be said murmur, at our short-sightedness,--...]
1839    Blind Musician, The (John G. Chapman; Joseph Alexander Adams), 93 smpl [reprinted from the New York Mirror]
1839    Blind Musician, The, 93 [We give another specimen of Mr. Adams's engraving on wood, printed in the peculiar style he has introduced.]
1839    Off With the Old Love /p (Frances S. Osgood), 94 [Must I tell thee, Georgiana, of my cousin Caroline?/ How dearly I must idolize such angel-looks as thine.]
1839    Dramatic Fragment, A /p (author/ Miriam), 96 [Open that casement toward the sea, my Clara./ To waste such fragrant virtues 'mid the storm.]
1839    Thomas Aquinas, 111 [The second Council at Lyons was convening; the holy Fathers were rapidly assembling; eminent schoolmen and divines were pouring in.]
1839    Jewish Captive, The /p (Elizabeth Oakes Smith; as Mrs. Seba Smith), 129 [Lo! where Euphrates, in his tranquil bed,/ Forgetful, Lord, of thee."]
1839    Cape Cod.--Provincetown (author/ The Tiara), 133 [Must we always depend upon foreigners for sketches of our own country?]
1839    Sasso Rancio, Il (transl./ Nathaniel Greene), 152 [The lake of Como, the most delightful of all the lakes at the foot of the Alps,...]
1839    Leonor /p (Frances S. Osgood), 172 [Leonor loved a noble youth;/ Suffering Leonor!]
1839    Comet, The (S. Austin, jr), 174 [It was a fine, clear night, in the summer of 18**.]
1839    Indian's Farewell to the Missouri, The /p, 214 [Mannitto's power is to the white man given!/ The homeless Indian seeks another shore!]
1839    First Steamboat on the Missouri, The (John G. Chapman; Joseph Andrews), 214 smpl  [reprinted in Youth's Keepsake, 1869]
1839    Autumn in New England /p (J. H. Clinch), 215 ['T is morning;--o'er the eastern hills the day-flush slowly flows,/ To show that glory still on earth is close allied to death.]
1839    Almshouse, The (Lydia H. Sigourney), 218 [The house, where the homeless poor of one of the thriving villages in New England were kept, was in a sheltered and sunny spot.]
1839    Reaper, The /p, 236 [Reaper! there is a lesson in that smile,/ To be at peace like yonder careless swain.]
1839    Reaper, The (Casilear; Joseph Andrews), 236 smpl 
1839    To the Spirit of Poesy /p, 237 [Slight us not, our early love!/ Spirit of sweet Poesy.]
1839    Early Blue-bird, The /p (Lydia H. Sigourney), 240 [Blue-bird, on yon leafless tree,/ Love shall make it spring for thee.]
1839    Sacred Fire, The (author/ Lafitte), 242 [It is the opinion of a certain elderly gentleman of our acquaintance, whose antiquarian tastes have led him patiently to investigate the origin of the American Indians,...]
1839    Forest Flower, The /p (Hannah F. Gould), 281 [Who art thou, little forest gem,/ In thy light form conveyed!]
1839    Going to Market (Casilear; Joseph Andrews), 283 smpl 
1839    Going to Market /p, 283 [Mary to the market trips,--/ And always needs a specie basis."]
1839    Iretta, the Fairy that Would Be Immortal (Elizabeth Oakes Smith; as Mrs. Seba Smith), 284 [Iretta was one of the most beautiful of the whole sisterhood of fairies;...]
1839    Capture, The /p, 294 [Skill is an overmatch for strength.  The proud/ So huge the hulk a shrewd harpoon hath slain.]
1839    Capture, The (; O. Pelton), 294 smpl 
1839    Faded Flowers /p (Sarah H. Whitman), 295 [Fragile yet sweet remembrancers! to me/ Tones, looks, and words of love, that may return no more.]
1839    To ---- /p, 296 [Oh, what a world of bright and blissful dreams/ My heart shall yield its secret but in death.]
1839    Friar Puck /p, 296 [Whither now, on mischief bent,/ Loves to lurk a cowl within.]

                      ==========

The Token, and Atlantic Souvenir, for 1840.  Boston:  Otis, Broaders, & Co., 1839.
[Reprinted with different engravings, as The Moss Rose.  (NY:  Nafis & Cornish, nd)]

1840    presentation plate (; Oliver Pelton) smpl
1840    Widow's Hope, The (T. M. Joy; John Francis Eugene Prudhomme), frontis smpl
1840    woman's head (; J. Cheney), title page smpl
1840    Rainbow Bridge, The /p ([Samuel G. Goodrich]), 9 [Love and Hope and Youth, together/ And,--light as Love and Youth,--they fly.]
1840    Silver Birdsnest, The /p (Hannah F. Gould), 11 [A stranded soldier's epaulet,/ Within a silver nest?]
1840    Nibble, The (John G. Chapman; Oliver Pelton), 13 smpl
1840    Early Days /p (R. C. Waterston), 13 [Who, for all that age could bring,/ Wold I forget Life's budding spring!]
1840    Countess Survilliers, The (Nathaniel Greene), 16 [I had passed an hour in the saloon of the Count of St. Leu, whose palace stands conspicuous...]
1840    To M. A. /p, [As one that gazeth on a star,/ And I am left alone to sigh.]
1840    Sonnet: To Louise /p (Barbara Hofland), 26 [Fair, trembling girl, methinks I ne'er beheld/ The daughter's deep, unutterable debt.]
1840    Velvet Hat, The (James Inskipp; John Francis Eugene Prudhomme, 1839), 27 smpl
1840    Velvet Hat, The /p (Elizabeth Oakes Smith; as Mrs. Seba Smith), 27 [I think I see thee, gentle one,/ But making it more lovely now.]
1840    Early Flowers /p (Sarah H. Whitman), 29 [As the fabled stone into music woke,/ To bloom for yon far land of beauty above.]
1840    Love Match, A (author/ Wealth & Fashion), 33 [It is surprising how many different stages people may pass through in the course of their lives, and yet preserve their identity.]
1840    To ----, the Genius of Plaintive Music /p (Samuel G. Goodrich), 59 [When Eol's finger strikes the string,/ By death's chill finger struck, shall part.]
1840    Mantilla, The (Edwin Landseer; A. Dick), 61 smpl
1840    Mantilla, The /p (Grenville Mellen), 61 [She gathered it about her, and stepped forth/ For "Mercy!" brake the waters! She had passed!]
1840    Fatal Choice, The (Mrs. L. K. Wells), 64 ["No, Albert, I would rather be an eagle, and soar towards the sun, and bathe in his glorious beams,...]
1840    Life /p (E. A.), 93 [A cloud o'ershades each human lot,/ On which our trembling hearts to rest.]
1840    Lines Suggested by a Picture /p (Sarah H. Whitman), 95 [How calmly beautiful/ And folds its pinions in the ark of peace.]
1840    Stanzas for Music (author/ "Miriam"), 98 [Thou lonely stream! thou lonely stream!/ Is less than thine,--is less than thine!]
1840    Phrenological Speculations (Elizabeth Oakes Smith; as Mrs. Seba Smith), 100 [Gentle reader, art thou a Phrenologist?]
1840    Politician, The (H. Liverseege; Oliver Pelton), 109 smpl
1840    Politician of Podunk, The, 109 [Solomon Waxtend was a shoemaker of Podunk, a small village of New York, some forty years ago.]
1840    Thoughts of the Dumb, The /p (J. H. Clinch), 112 [From words we gain ideas;--there are some,/ Gives out to bless the foot which crushes it!]
1840    Sea Rhymes: Return of the Victor Ship /p (James T. Fields), 113 [She hung her snowy pinions wide,/ Encircles each exulting name!]
1840    Lines Written on the Summit of Mount Holyoke /p (Grenville Mellen), 114 [Great God! thy works oppress me. As I gaze/ Bend it to silence that is eloquence?]
1840    Sketch from Life, A (author/ "Wealth and Fashion"), 119 [How many essays have been written on that simple word, happiness,...]
1840    Lament for the Decline of Poetry /p, 125 [Alas! the days of song are past,/ So Benton's mint-drops did not go alone!]
1840    Luxury, or the Lady-Bird /p (Elizabeth Oakes Smith; as Mrs. Seba Smith), 126 [I saw three children gathered round/ A lady-bird spoiled by luxury.]
1840    Journey of Memory, The /p (E. A.), 129 [I hovered, in guise of a witching dream,/ And a soul, in its conscious worth, content.]
1840    Legend of the Large Feet, The (Miss M. A. Browne), 132 [Which is the true earthly fairy land,--the region where the wayward, but lovely little beings love best to hold their revels?]
1840    Ancient Reminiscences (author/ "Three Experiments"), 161 [In King's Chapel, in Tremont Street, Boston, is a monument to the memory of Frances Shirley, wife of Governor Shirley.]
1840    Stanzas, to a Lady /p (Grenville Mellen), 172 [Ah, Lady! could I deem my humble lay/ To bend o'er Love's grave, in thy mourning,--e'en as mine!]
1840    Haunts of the Sea Fowl, The (; A. Dick), 173 smpl
1840    Haunts of the Sea-Fowl, The /p, 173 [It is "egging time,"--the sea-fowl's nest/ Where they hear the sound of the ocean roar.]
1840    To a Wild Violet, in March /p (Samuel G. Goodrich), 175 [My pretty flower, how cam'st thou here?/ As all the orbs in Heaven that move.]
1840    Show Us the Father" /p (Lydia H. Sigourney), 177 [Have ye not seen Him, when through parted snows/ When, to assembled worlds, the Book of Doom is read.]
1840    Lyres of Old, The /p (W. W. Morland), 179 [The lyres of olden time,--how silent now!/ Shall seem some charmed land, some fairy ground.]
1840    Grave of Marquette, The /p (author/ "Miriam"), 181 [Murmur, ye waves of Michigan, low hymns/ Half lifted to the skies by faith and prayer!]
1840    Mount Auburn (author/ "Sketches of the Old Masters"), 184 [On the 27th of June, 1832, the first monument was reared at Mount Auburn,...]
1840    Debut, The /p (H. T. Tuckerman), 188 [Through the light curtains of the rich boudoir/ And, in eternal beauty, blossom there."]
1840    Confession, The /p (E. A.), 191 ["Come let us wander, dearest, through wood and shady glen,/ And censure from the wise, I fear, most powerless will fall."]
1840    Tyre /p (R. C. Waterston), 195 [Five hundred years before the birth of Christ,/ With her shrill scream, startles the solitude.]
1840    November Landscape, A /p (Sarah H. Whitman), 198 [How like a rich and gorgeous picture, hung/ In trembling beauty on the burning tide.]
1840    Widow's Hope, The (T. M. Joy; John Francis Eugene Prudhomme), 199 [listed in contents, but not placed here] smpl
1840    Widow's Hope, The /p (Hannah F. Gould), 199 [Sleep on, my babe, and in thy dream/ The widow's only son.]
1840    Second Thoughts Best (Catharine Maria Sedgwick), 201 [It is a common saying, that no individual profits by another's experience,--there are few, we believe, that profit by their own;...] [repr The Consul's Daughter]
1840    Fairies, The (Paris; Oliver Pelton), 259 [used for title page of bound volume of "Demorest's Young America," 1871] smpl
1840    Fairies' Dance, The /p, 259 [The moon is full, the stars are bright,/ In the moonlight clear and pale.]
1840    Portrait, The /p (Hannah F. Gould), 262 [Well, thou art done, cold, silent thing;/ Enshrined, shall live eternally.]
1840    Guess My Name! /p ([Samuel G. Goodrich]), 264 [Go, gather from the laughing wave,/ Oh, need I now my name display?]
1840    Sonnet, To a Lady After Sickness /p, 265 [Fair breezes to thee, lady! may they bring,/ For hopes fulfilled, to yonder bending skies.]
1840    Farewell /p, 265 [The trees resign their yellow leaves,/ Although it break my heart.]
1840    Purple Violet, The, or Mutual Love /p, 266 [Twilight o'er the earth had crept,/ Up springs the Purple Violet.]
1840    Music /p, 268 [If a shy lover has something to say,/ And invoke soft pleasure's genial king,--Music.]
1840    Mountain Eloquence /p (Hannah F. Gould), 270 [Mountain, with thy firm old foot,/ Ne'er shall quench a ray."]
1840    Life /p ([Samuel G. Goodrich]), 272 [On May-day morn, the tasselled willow swings/ 'T is that no tears are there to wet its root.]
1840    Glory /p (J. H. Clinch), 275 [I saw him, like the eagle, spring/ That bears Napoleon's name.]
1840    Sister's Grave, A /p (R. C. Waterston), 278 [The leaves, by tranquil breezes fanned,/ The same long grass o'er both shall wave.]
1840    Sibyl, The /p (Miss M. A. Browne), 280 [A twilight softness veils the skies,/ Like the one book preserved of yore!]
1840    Sister Therese, The (Hannah F. Gould), 283 [The following little story is drawn, as a fine silver thread, from among the many of a sadder and more fearful hue,...]
1840    Liar, The /p ([Samuel G. Goodrich]), 294 [In Eden first, where flowers were blooming round,/ 'T were pitiful to crush so poor a thing.]
1840    Anticipation (Stephanoff; Oliver Pelton), 295 smpl
1840    Anticipation /p, 295 ["Nay, nay, Bianca, why shouldst thou/ Within one warm and faithful breast."]
1840    To an Old Elm /p, 297 [Spread thy long branches to the blast,/ And memory knows his name no more.]
1840    Farewell /p, 299[Farewell to the graves on the side of the hill,/ Shall float o'er the prairies of fair Illinois.]
1840    Wreck, The /p, 300 [The storm is o'er, and the stars look down/ And smile to the smiling morrow.]
1840    King of Terrors, The /p (Samuel G. Goodrich), 302 [As a shadow he flew, but sorrow and wail/ And the altar-struck bride, beam full on the view.]

                      ==========

The Token, and Atlantic Souvenir, for 1841.  Boston:  W. D. Ticknor, 1840.
[Reprinted with different engravings, as The Moss Rose, for 1847.  (NY:  Nafis & Cornish, 1847)
One of the plates used is the title page for the 1835 Token.]

1841    presentation plate (George Harvey; Hartwell) smpl
1841    Flatterer, The (Edward Henry Corbould; Thomas Illman), frontispiece smpl
1841    Spanish woman (E. T. Paris; John Francis Eugene Prudhomme), title page smpl
1841    Stranger's Nephew, The (Grenville Mellen?; translator/ "Undine"), 9 [In the southern part of Germany lies the town of Grunwiesel.]
1841    Swiss Boy's Farewell to the Rhone (; James Archer), 47 smpl
1841    Swiss Boy's Farewell, The /p ([Samuel G. Goodrich]), 47 [Sweet River Rhone! sweet River Rhone!/ To home and thee, sweet River Rhone!]
1841    Stanzas /p (F. S. Jewett), 49 [The sweet voices of evening are lost in the gale,/ As rayless and silent,--my heart is a grave.]
1841    Omitted Pickwick Paper, An ("Poz"), 51 [As soon as the church services were over Mr. Pickwick, according to the arrangement previously hinted at,...]
1841    Madonna, The (Nathaniel Greene), 58 [The day had been sultry.]
1841    Dream, The (John A. Stewart; Thomas Illman), 63 smpl
1841    To the Dreamer /p, 63 [Sleep on! I would not break thy dream,/ The thorn--the thorn is there.]
1841    Miser, The /p, 64 [Life is a journey--death a darksome comet,/ Here lost in life and death, the millionaire.]
1841    Ireland and the Irish ([Samuel G. Goodrich]), 65 [The earliest page of history relating to the northern portion of Europe, seem but the revelations of a half-remembered dream.]
1841    Sorrow /p, 180 ['Tis a fair morn; the grass all gemmed with dew;/ And I can only weep when landscapes smile.]
1841    Marion (J. Browne; Oliver Pelton), 181 smpl
1841    To Marion /p, 181 [Why, maiden, art thou sad?  So young, so fair,/ And if it's Sandy, maid, I will not tell.]
1841    Age of Hair, The /p, 182 [As every dog must have his day,/ His whiskers quite as swinish, rough, and stark!]
1841    Stanzas /p (J. T. Fields), 186 [There are who scorn the Muses' voice,/ Within her own Elysian bower!]
1841    Sonnet /p, 188 [The senses are but prison gates, through which/ Eternal poured from angel voices round?]
1841    To a Lady /p, 189 [That pensive brow may seem to speak of sorrow;/ Wakes the wild wish its gentle shafts to try?]
1841    Song of Espousal /p (William B. Greene), 190 [O, bright is the glance of a lady's eye,/ O my first and my only love!]
1841    Blue-stockings (J. A. Jones), 191 [There is no word in the English language which is faster losing its signification than that of "blue-stockings."]
1841    Ambition /p, 200 [Virtue alone can bless: 'tis Heaven's law--/ Loud in the ear Death rings his hollow peal.]
1841    Toilet, The (; Smith), 201 smpl
1841    Zuleika /p, 201 ["Why, with gems and jewels rare,/ The victim now her magic plies.]
1841    Apollo Belvidere /p (Henry T. Tuckerman), 202 [It was a day of festival in Rome,/ The martyr to her truth!"]
1841    Place of Joan of Arc, at Rouen (E. Prout/ S. Prout; J. Francis), 207 smpl
1841    Statue of Joan of Arc, at Rouen, 207 [I have resolved to avoid descriptions of places such as may be found in the guide-books.]
1841    De-tay-a-la's Vision, 210 [Early in the sixteenth century, when the peninsula which forms the city of Boston was a wilderness, a tribe of Indians dwelt in a little village,...]
1841    Teaching of the Senses, The /p ([Samuel G. Goodrich]), 216 [The eye is but a grated pane,/ And spread the wing for yonder sky!]
1841    Torrent Bow, The /p, 218 [Ye mad, ye mighty waters, that do take/ Of pious resignation thence be born.]
1841    Somnambulist, The (J. Browne; James Archer), 219 smpl
1841    Somnambulist, The, 219 [The story is briefly this: Diego, an old soldier and Castilian, was intrusted with the care of a post on the coast of Spain, called the Beacon Cliff.]
1841    Student of Nature, The (Patten; Montgomery), 233 smpl
1841    Fearful Pause, The /p, 223 [I have heard the cannon's jar/ Ye cannot think of aught to tell!]
1841    Lines, on an Ancient Picture of the Sibyl /p, 224 [Sibyl! it was not that thy gifted gaze/ And feel a little as his godship felt.]
1841    What Can the Matter Be? (J. A. Jones), 225 [I am strangely afflicted; I am wonderfully troubled; an indescribable feeling has come over me...]
1841    I've Nailed My Colors to the Mast /p (J. A. Jones), 232 [I've nailed my colors to the mast;/ I shall not change my faith below.]
1841    Lover of Nature, The ([Samuel G. Goodrich]), 233 [There are three kinds of affectation, to which a large portion of mankind are addicted.]
1841    Absence /p (Eliza Leslie), 242 [O, weary, weary is my heart;/ Where the beloved are not.]
1841    How Could I Murmur or Repine?" /p (J. A. Jones), 245 [He sang unto his love this song:/ Love of my soul! I'll fly with thee."]
1841    Song /p, 247 [Which is the finest feature/ That proclaim her all your own.]
1841    Stanzas /p, 248 [No bugle must sound:/ His spirit has sped from the plain.]
1841    Flatterer, The (Edward Henry Corbould; Thomas Illman), 249 [listed in contents, but not placed here] smpl
1841    Flatter, The, 249 [Nay, Florence, do not flatter me.]
1841    On Absence /p, 251 [Friendship and love, divinely sung,/ One gentle look, one pleasing smile.]
1841    Born But to Die" /p, 253 ["Born but to die!"  Alas for all!/ "Seek ye and find what shall not die!"]
1841    Declaration, The (J. Browne; Oliver Pelton), 255 smpl
1841    Declaration, The, 255 [It is a melancholy evidence of the depravity of man, that the severest of human maladies, the acutest of mortal sufferings,...]
1841    Pilgrim, The (J. Browne; G. F. Storm), 261 smpl
1841    Pilgrim, The, 261 [On a wintry night, in that remove period when Matilda, or Maud, was contending with Stephen of Blois for the crown of England,...]
1841    Pilgrim of Love, The /p (H. T. P.), 270 [Sister, I blush not that thy friendly eyes/ That Love's true pilgrim wears Religion's guise.]
1841    Foot-prints ([Samuel G. Goodrich]), 271 [A peasant's cottage stood in the midst of a wide common;...]

                      ==========

The Token, and Atlantic Souvenir.  Boston:  David H. Williams, 1842.

1842    Zelda (William Page; Rawdon, Wright, Hatch & Smillie), frontispiece [listed in contents as frontispiece, but not placed here] smpl
1842    Bracelet, The (Thomas S. Cummings; Rawdon, Wright, Hatch & Smillie), frontispiece smpl
1842    vignette of terrace with flowers, portrait, & copy of The Token (James Smillie; Rawdon, Wright, Hatch & Smillie), title page smpl
1842    Lesson of a Moment, The, 9 ["The heart knoweth its own bitterness," is a truth, which the unhappy repeat to themselves, perhaps, too often.]
1842    Two Locks of Hair, The /p (from Pfizer; Henry Wadsworth Longfellow), 22 [A youth, light-hearted and content,/ I wish that I were dead.]
1842    Sonnet /p, 24 [Give me the broad, green fields, the open skies,/ While we forget ourselves, doth God within us grow.]
1842    Seraph Visitant, The (Caroline Gilman), 25 [One pleasant August afternoon, the clerk of a church in one of our cities, requested his nephew Hubert to procure a scarf,...]
1842    Where is Peace? /p (Park Benjamin), 28 [Oh, where is peace? I asked my heart,--it echoed/ For the fair native of a deathless clime.]
1842    Sea, The /p, 30 [Moan on, thou melancholy sea,/ Oh! that it were unscathed, unscarred, like thee.]
1842    Visit to Ferney (Hubbard Winslow), 33 [Among the objects of interest for the thirty thousand annual visitors at Geneva, is Ferney, the celebrated residence of Voltaire.]
1842    Sights and Sounds of the Forest /p (Alfred B. Street), 46 [The Sunset-Angel lights the leaves,/ Bright smiles the summer day.]
1842    Rockland Lake (Jesse Talbot; Rawdon, Wright, Hatch & Smillie), 49 smpl
1842    Rockland Lake /p (H. T. Tuckerman), 49 [Around thee mountains forest-crowned and green/ Serenely glide.]
1842    Teachings of Autumn (F. W. P. Greenwood), 51 [The feelings excited by the autumnal season are unvaried, but they are so true, so deep, so near to the fountains of our life,...]
1842    Bloody Brook /p (George Lunt), 59 [By Bloody Brook, at break of day,/ To stir the hearts of after years!]
1842    Yankee Girl, The (Harriet Beecher Stowe), 63 [Every land has its own "beau ideal" of woman, and its own ladies have been be praised in certain good set terms,...]
1842    Classic Melodies /p (J. G. Percival), 82 [O! it is great for our country to die, where ranks are contending:/ We shall look forth from our heaven, pleased the sweet music to hear.]
1842    Classic Melodies /p (J. G. Percival), 84 [My heart is sad, my hope is gone, my light has fled;/ My form, ere it has felt the icy touch of years.]
1842    Classic Melodies /p (J. G. Percival), 85 [Come, crown my cup with roses;/ The soul: Io forever!]
1842    Classic Melodies /p (J. G. Percival), 86 [In the silence of night, and in solemn array, by the glimmer of torches, is wheeling,/ Our such fire, not the Spartan can quell it.]
1842    Classic Melodies /p (J. G. Percival), 88 [Softly sweet the song is stealing, softly through the night afar;/ All Elysian smiles to me.]
1842    Oaken Bucket, The (Frederick S. Agate; Rawdon, Wright, Hatch & Smillie), 91 [illus appears in several later children's magazines] smpl
1842    Well, The /p (John Pierpont), 91 [When the summer noon is glowing,/ Where the ancient sages found them.]
1842    Thoughts on Music (H. T. Tuckerman), 95 [There is a poetry of sound, susceptibility to which is wholly independent of science.]
1842    Mother and Her Child, The /p (R. C. Waterston), 108 [Temples, and monuments, and crumbling fanes,/ The present fills her soul, her heart is with her child!]
1842    Outward Bound (Thomas Birch; Rawdon, Wright, Hatch & Smillie), 109 smpl
1842    Mariner's Song of Departure, The /p (Hannah F. Gould), 109 [While o'er the bright bay,/ Of Him who is ocean's Creator.]
1842    Poet's Dream, The (Thomas Gray, jr), 111 [Who has not heard of Hafez, the young poet of Shirauz?]
1842    Dreams /p (Anna Maria Wells), 132 [I dreamed my dearest friend before me lay,/ Or from unreal joys we only wake to weep.]
1842    Ballad of the Stranger, The /p (James Russell Lowell), 133 [The wind is moaning sadly among the pine trees high,--/ Long waited they her coming, but she never came again.]
1842    Woman's Tears /p (George Lunt), 138 [She wept--as softest dews that come/ Lone,--helpless,--heartless,--hopeless,--dead!]
1842    Summer Evening Melody /p (James T. Fields), 140 [Go forth! the sky is blue above,/ And fragrant odors breathe of heaven.]
1842    Capuchin Monk, The (Cornelius Ver Beyck; Rawdon, Wright, Hatch & Smillie), 141 smpl
1842    Capuchin Monk, The /p (Thomas Gray, jr), 141 [He sat him down within his narrow cell,/ The mastery of the King of Kings."]
1842    Seen and the Unseen, The," (Ephraim Peabody), 143 [This--such is the language we often hear--is a mechanical age.]
1842    Songs (J. G. Percival), 157 [The evening star now sparkles bright;/ My gentler feelings flow.]
1842    Songs (J. G. Percival), 158 [Awake, my lyre, awake!/ Breathe aloud the choral strain.]
1842    Songs (J. G. Percival), 159 [O! see how the red-deer boundeth,/ The free, the free are here!]
1842    Songs (J. G. Percival), 160 [O! when Memory brings her light,/ Still lightly o'er them play.]
1842    White Lady, The (Pfeffel), 162 [The knight Wolfgang, of Wolfsberg, with the lady Ida, his only daughter, lived in his ancient castle in the Black Forest.]
1842    Drowned Mariner, The /p (Elizabeth Oakes Smith; as Mrs. Seba Smith), 174 [A mariner sat on the shrouds one night,/ Away from decay, and away from the storm.]
1842    Last of the Wampanoag/ Metamora (Frederick S. Agate; Rawdon, Wright, Hatch & Smillie), 179 [the bust as "Edwin Forrest as Metamora," 1832] smpl [original of bust (perhaps a study for a larger painting?) in National Portrait Gallery, Smithsonian Institution, Washington, DC]
1842    Last of the Wampanoags, The (I. McLellan, jr), 179 [With the tough bow of savage war,/ But perished on some distant shore!]
1842    Recollections of Switzerland (George E. Ellis), 183 [The history of Switzerland, though full of romantic and stirring narratives, has not, as yet, engaged any very general attention.]
1842    Bracelet, The (Thomas S. Cummings; ; Rawdon, Wright, Hatch & Smillie), 219 [listed in contents, but not placed here] smpl
1842    Zelda (William Page; Rawdon, Wright, Hatch & Smillie), 219 smpl
1842    Bracelet, The (I. McLellan, jr), 219 [Sweet Mary! in thy merry eye,/ Of life, to its last moments pass!]
1842    Rambling Essay Upon Rooms, A, 223 [I am inclined to think that the romance of life lies upon its outskirts.]
1842    Birthnight of the Humming Birds, The /p (Samuel G. Goodrich), 235 [I'll tell you a fairy tale that's new--/ Content in our clime, and more blest than before.]
1842    Tale of Mizraim, A, 240 [The afternoon sun was shining on the mild waters of the Nile.]
1842    Winter (George Miller; Rawdon, Wright, Hatch & Smillie), 267 smpl
1842    Winter /p (A. B. Street), 267 [A sable pall of sky,--the billowy hills,/ Sheds her soft dews and weaves her golden dreams.]
1842    Prophecy /p (B. F. Butler), 270 [Order the buckler, order the shield!/ Pursued and smitten by Jehovah's hand!]
1842    Lines, Suggested by a Scene in "Master Humphrey's Clock" /p (Lucy Hooper), 273 [Beautiful child! my lot is cast;/ Beautiful child! be thy God thy guide.]
1842    Thought from Zappi, A /p (Mrs. S. J. J. Merritt), 276 [Like the Venetian gondolier, who chants/ Why reck of praise?]
1842    Upon the Death of a Country Gentleman /p (Uhland; trans by William W. Story), 277 [If in departed souls the power remains/ Greeting each reaper with kind, friendly talk.]
1842    Song, A /p (Frances S. Osgood), 278 [They tell me I was false to thee;/ To find them, or to perish!]
1842    Exiles of Acadia, The (George Bancroft), 279 [While Braddock was preparing to penetrate the forests of Western Pennsylvania, the sovereignty of England was established in Acadia.]
1842    To a Dear Departed Friend /p (Mary S. B. Dana), 290 [I see thee in my dreams,/ Behold thee when I'm dreaming.]
1842    Enigma (Charles Fenno Hoffman), 292 [It must tremble on earth! for it dies off in air,/ It begins our repentance, and ends every prayer.]
1842    First Ship, The (John G. Chapman; Rawdon, Wright, Hatch & Smillie), 295 smpl
1842    First Ship, The, 295 (painting by John G. Chapman) [This picture tells its own story.]
1842    Lines Written at Syracuse /p, 301 [Is this the stately Syracuse,/ The Titan of the land!]
1842    Translations: Duties of Fathers in Education (Jean Paul; trans/ John F. Brinckman), 306 [In general, a father, who sees and educates his children only for hours,...]
1842    Translations: Duties of Mothers in Education (Jean Paul; trans/ John F. Brinckman), 309 [But, ye mothers, ye of the higher and more independent ranks, especially, whom fortune has spared the drudgery of house-keeping...]
1842    Translations: Miscellaneous Fragments (Jean Paul; trans/ John F. Brinckman) , 312
1842    Mountain Stream, The /p (L. Stollberg), 319 [Undying youth!/ Free, like a god!]

                      ==========

[While The Token ceased publication with the volume for 1842, the title was
sold & appears on at least one book published by Leavitt & Allen, who published,
republished, and cobbled together works for children and adults.  The book's
information is included here to make the identification of this volume easier
& because--frankly--it's bizarre & interesting.]

The book seems to be reprint of a work published in the U. S. in 1838:
Woman as She Should Be, by Hubbard Winslow, and Woman, in Her
Social and Domestic Character, by Elizabeth Sandford [Mrs. John Sandford].
Sandford's work was originally published in England in 1831 and was reprinted
alone in the U. S. in 1833 (Boston:  Leonard C. Bowles).  Leavitt & Allen
"prettified" the text with engravings & a surpassingly tawdry cover.


The Token & Atlantic Souvenir.  NY:  Leavitt & Allen, n.d.

nd      Cheerfulness (Paris; Sartain), frontis smpl
nd      presentation plate (; H. Lawrence?) [color] smpl
nd      Preface, i [It is a lamentable fact, that in addressing the fair sex, the writers of the present day are apt to take it for granted that mere amusement is the only object to be proposed,...]
nd      Appropriate Sphere of Woman, The, 9 [The dignity and virtue of the female character cannot be too highly estimated nor too sacredly protected.]
nd      Influence of Christianity on Woman, The, 34 [The abject condition of the female sex in all but Christian countries is universally known and admitted.]
nd      Humility (Miss Sharp; Sartain), 46 smpl
nd      Christian Education of Woman, The, 57 [The elevated and shining character of the female sex as here contemplated is recognised among the blessings of a prosperous state of religion.]
nd      Industry (Edwin Landseer; Cheney), 68 smpl ["The Cottage Girl," reprinted from 1835 Token]
nd      Woman in the Social and Domestic Character (Mrs. John Sandford): Causes of Female Influence, 5 [The changes wrought by Time are many.]
nd      Woman in the Social and Domestic Character (Mrs. John Sandford): Value of Letters to Woman, The, 22 [Opinion is now more than it ever was in favor of the diffusion of knowledge;...]
nd      Woman in the Social and Domestic Character (Mrs. John Sandford): Importance of Religion to Woman, 35 [Religion has been sometimes decried as the passion of weak men, women, and children.]
nd      Woman in the Social and Domestic Character (Mrs. John Sandford): Christianity the Source of Female Excellence, 46 [It is usual to estimate principles by their apparent results,...]
nd      Woman in the Social and Domestic Character (Mrs. John Sandford): Scripture Illustrative of Female Character, 64 [Besides the blessing which Christianity is to us as a motive for our moral improvement,...]
nd      Woman in the Social and Domestic Character (Mrs. John Sandford): Female Influence on Religion, 78 [The promotion of religious feeling is one of the greatest blessings of female influence.]
nd      Woman in the Social and Domestic Character (Mrs. John Sandford): Female Defects, 90 [A low estimate of female pretensions is certainly not the fault of the present day.]
nd      Woman in the Social and Domestic Character (Mrs. John Sandford): Female Defects, 104 [The fickleness of woman is proverbial.]
nd      Maiden Fancies! (R. T. Bott; J. C. McRae), 110 smpl
nd      Woman in the Social and Domestic Character (Mrs. John Sandford): On Female Romance, 112 [Most women are inclined to be romantic.]
nd      Woman in the Social and Domestic Character (Mrs. John Sandford): On Female Romance, 125 [The sensitive mind discovers poetry every where.]
nd      Woman in the Social and Domestic Character (Mrs. John Sandford): Female Education, 134 [It is a good sign of the advance of society when attention is paid to the education of women.]
nd      Woman in the Social and Domestic Character (Mrs. John Sandford): Female Duties, 152 [It is not to be denied that Christianity is a practical principle;...]
nd      Charity/ Visit of Charity (H. Warren; E. Finden), 161 smpl